When clubs in England first reopened on 19th July after over a year of lockdowns, social distancing and isolation, thousands flocked to dancefloors across the...
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Pumping out chart-topping dance anthems since he was 19, Alesso solidifies his headlining stature with debut album ‘Forever’. Now 23, the mega-producer discusses his evolving...
Here’s a fun fact: the peak of the northernmost cliff in Europe, Kebnekaise MoHuntain in Alesso’s native Sweden, has the highest fixed point in the...
DJ Mag investigates the cynical money-making practice of digital music piracy...
Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...
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With clubs and festivals back in full swing in the UK, DJ Mag speaks to a range of club-goers, from DJs and bar staff to...
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Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
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As part of our special edition on fighting racism and racial injustice in the dance music industry, we have collated alphabetical lists of collectives, organisations...
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Over the last decade, the Afro-Portuguese sound of Kuduro has travelled from the bairros of Lisbon to a global audience. DJ Mag's Anna Cafolla meets...
On the history of dubstep and 'Fabriclive 61'...
Pinch, aka Rob Ellis, boss of the trail-blazing Tectonic Records, is one of a few heads in a unique position to dissect the...
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Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene
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Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development
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UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...
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Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...
Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...
The aftermath
You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...
Baldy DJ Lee Burridge sends us his diary every month. This time he reports from Down Under, where he narrowly avoided getting eaten by a...
I had my heart set on Melbourne as one of the seven locations for 365 in the first year.
I chose it for many different...
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During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
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Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever