Black and non-Black POC artists have always been at the forefront of electronic music; pioneering DJs and producers who created whole genres, and others who...
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Features
DJ Mag’s tech editor, Mick Wilson, investigates Black and non-Black POC representation in the music tech sector, and what industry leaders are doing to address...
Music
As a show of solidarity to support the artists and labels impacted through the global pandemic, we are launching a weekly roundup of the most...
Music
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, London-based Hyperdub affiliate...
Features
From the tragic loss of punk-rave pioneer Keith Flint to a resurgence in the sense of community in dance music, this year, and indeed the...
Our festival guide looks to Europe...
Techno rises in the heart of the Midwest and with it, a bold call to action.
DJ Mag meets Lisa Smith on a winter afternoon in The Black Madonna’s crowded Chicago apartment. A large film crew is staging lighting...
Holding court with one of the UK’s most innovative electronic duos...
“Everything around you is so cluttered. If you go online and look at social media, it’s this big bombardment of stuff. I really wanted to...
A guide to dance music's pre-rave past
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
After a close encounter in a techno-themed Death Star, Richard Norris and Martin Dubka’s project Circle Sky was born...
WORDS: Declan McGlynn
PICS: Richard Stow
Duos are nothing new to Richard Norris. As one half of the hugely successful ’90s act The Grid, he...
An insight into house sophistication
Nick Wilson is an inveterate crate-digger. There's little he enjoys more than delving in the dusty racks of record emporiums to unearth rich seams of...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...
Features
Hunee is the fearless DJ with super-eclectic taste. As happy dropping disco, African rarities, vintage Italo, boogie or up-to-the-minute electro, he’s refused to compromise on...
It’s mid-summer 2016 and Jeremy Underground is spinning on the main stage at Farr Festival in Bygrave Woods. High above the packed crowd in front...
Check out what's happening this NYE in your city!
California
“Dreaming Of A White Wonderland”
Already sick of the overplayed tune “Winter Wonderland” playing overhead at every store you did your holiday shopping...
Features
Sónar Festival founder Enric Palau looks back at the event’s first quarter of a century with DJ Mag’s Sónar veteran Ben Osborne...
From 17th from 20th July, Sónar, one of the world’s leading festivals of electronic music, art and technological innovation, will return to Barcelona for its 25th year, and...