In its fourth incarnation, delayed two years due to the pandemic, this year’s Whole: United Queer Festival is the hot ticket for LGBTQ+ folks from...
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DJ Mag chats to James Ford about making the new LP, aliens, cowboy ghost towns, destruction and drones...
When the Klaxons joked that their producer, James Ford, communicated with aliens through his hair, they weren’t only paying tribute to his curly black locks...
We talk pop, his transition to DJing and more...
Hotshot DJ/producer MK hit big with his UK No.1 remix of Storm Queen's 'Look Right Through', affirming both his studio skills and the immense popularity...
From DJ supergroup to live powerhouse
Face it. Often, the biggest acts in electronic music come at us like bass-dropping wolves. Above & Beyond is the group that bears a unique...
Swiss DJ/producer Deetron has been a fixture of the world's coolest clubs and labels for years. But with a reputation for deadly, wide-ranging DJ sets...
Sam Geiser has had quite a year. After a decade-and-a-half slowly building from the ground up, now everyone wants a piece. Luckily, he's the kind...
Sheffield's Cabaret Voltaire were way, way ahead of their time.
Neil Kulkarni talks to founder Richard H Kirk about apathy, necessity and house music...
An in-depth talk with the Hyperdub main man about his new album with Spaceape, 'Black Sun'...
With their new album ‘Black Sun’, Hyperdub’s Kode9 & the Spaceape have left tired genre pigeonholes behind, switched up their sound and conjured a bright...
This year’s Whole Festival marked the biggest underground electronic music-focused queer festival on the planet, bringing together LGBTQ+ collectives, artists and ravers from around the globe. Marke Bieschke heads to Germany to find out how Whole has created a world of its own
Georgina Quach discovers how Saigon crew Nhạc Gãy's homegrown sound, queer-friendly ethos and raucous raves are an antidote to tourist-centric nightlife in Vietnam
After reflecting on how we can tackle the issues within the electronic music industry as a publication, we deliver our pledge to you, presenting significant...
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
London-born DJ and producer Ross, better known as Rossko, had his first brush with authentic, UK rave sounds younger than most. He was 11 years...
We go behind the scenes of Laurence Guy's live show, set-up and performance approach
As part of DJ Mag's round-up of all the best in dance music in 2019, and in the 2010s, we decided to spotlight some of...
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds