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He's a funny sort of bloke, is Beardyman. Quite literally; a career founded on quick wit, and what he describes as the “inherently silly” art...

Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.

Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...

Dan ‘Eats Everything’ Pearce is massive. Not just in stature (much as he likes to take the piss out of his occasionally generous girth), but...

“There’s definitely a stigma attached to progressive house but someone like Sasha is one of the most influential DJs ever,” Nick states. “A lot of...

Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.

Damian Lazarus is the leader of Crosstown Rebels — not just a label, but a globe-trotting party and network of like minded artists. Celebrating 10 fiercely independent years of always innovative house and techno in 2013, the Lazarus man opens up about his path to dancefloor domination

Mr C is an enigma. Celebrating 25 years in the game, the man born Richard West has played an integral part in the development of quality electronic music over the last quarter of a century or so.

Experiencing Chromeo is like taking a step back in time—but with all the luxuries and comforts of today. It’s in the duo’s music, which takes...