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Results for: High On Life

One down, 11 to go, with Honey Dijon's Full Fantasy, Hit & Run at Mayfield, 5 Years of Timedance

We can take solace in the fact a long and arduous January is over, but the real nocturnal work starts here, as the following goes...

In DJ Mag's March artist charts, four DJs select their top 10 tracks of the month, spanning moody jungle, '90s acid, classic reggae and dubby...

UK trio Denham Audio have entrenched themselves at the front of the new wave of breakbeat hardcore producers through a multitude of racuous cuts and...

Award-winning radio presenter and proponent of the diversity-focused Radio Silence movement, Kay-Lee Golding, explores the lack of Black representation in mainstream UK radio

In 2020, you would think that radio would be diverse and full of opportunities. But unfortunately, you would be wrong. The UK radio industry really...

12 emerging artists you need to hear this

The latest and greatest DJs and producers rising to the top this month. From UK rap fusions and politically charged electronic experiments to lush vocal house and colourful bass, here’s here's March 2022's list of upcoming talent you should be keeping track of

Scottish rap DJ and producer K4CIE has been carving out a lane for herself that’s distinctly female-focused. Setting up the women-celebrating club nights PEACH and...

vinyl

Manufacturing delays and other issues continue to put a strain on small and independent labels. Taiwanese press plant Mobineko has unveiled a new pressing machine specifically for short runs, aiming to reduce the global bottleneck for vinyl production. Declan McGlynn speaks to Josh Doherty about the problems facing vinyl today, how the new machine works and what impact it could have on the future of vinyl

On the surface, the good news keeps coming for vinyl. Every year, new numbers are released showing the format’s strength and resilience continues. In fact...

Founded by Suraj Mandavia and Eugene Onyango, Kenya’s foremost Afro-house label, Gondwana KE, aims to take African electronic music where few have gone before. Alongside...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...

Self-releasing your music in 2022: which distributor is right for you?

When starting out in the industry, musicians and producers have what can often seem like an insurmountable number of new skills to learn outside of making music. With seemingly countless distributors offering widely varying features and products, choosing how to get your music on streaming services can be confusing. This guide seeks to demystify one of the most confusing aspects of releasing music

Digital distribution is the process of releasing your music to various digital streaming platforms (DSPs) and services. In the past, distributors would take care of...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

UK venues are starting to use facial recognition technologies as part of the entry process. But who stores and profits from your data? And could...

When you approach the doors of a club, a number of things can happen. Exactly what depends on the club, the party, and even the...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...