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Results for: Higher Self

With a mix about to drop in Fabric's celebrated series, DJ Mag joins Alan on the road...

We’re standing behind the booth, staring at an endless sea of Glaswegians bathed in strobes — baying for more. Or that’s what it sounds like...

With just the touch of a piano key, Kygo is trailblazing a diversion in dance music with his tropical house vibe and infectious hits that...

It's no coincidence Kyrre means "peaceful" in Norwegian. The given name of tropical house star Kygo, he maintains a seasoned calmness far beyond his years...

Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity

Framed by white curtains and stood against the red brick tower blocks of the city, West-London born, British-Serbian artist TRAPY looks down from a window...

The main room sound of Porter Robinson

Only 20-years-old and already a dance music star, with Top 10 chart hits in the UK, a residency in Las Vegas and US wide tours under his belt, Porter Robinson is the new face of the hugely popular big room electro house sound. But as it turns out, he spurns fame, cringes at the acronym EDM, and draws inspiration from musique concrete to Daft Punk. DJ Mag has a pint with him in a grimy North London boozer to learn more...

Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...

We need to think about how we document dance music culture. It may seem odd saying this when there are so many magazines, podcasts, and...

As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...

It’s been four months since COVID-19 sent dancers into deep freeze. With no sign of a vaccine, the suspicion is that clubs will stay closed...

Derry-born DJ, producer and Céad label boss Or:la has had a remarkable journey so far, from throwing raves in abandoned buildings to playing the world's...

Becoming a DJ came to Orlagh Dooley in a dream. No, really. During her first year of university, Dooley had an epiphany, in the form...

From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...

Throughout 2020, like so many others, Dego spent months stuck at home. Unable to commit to his normal routine of studio time, he found himself...

Carl Cox in a crown

After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself

When his bespectacled face pops up in a Zoom call, Carl Cox is sitting within a well-appointed studio space, in front of all manner of...

Photo of Marcia Carr DJing on vinyl, holding a record sleeve in one hand and singing passionately

Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story

“There were times, I can’t do it now — don’t even ask me — where I ran up walls and did backflips.” On what feels...

Our new DJ Mag Originals video series, Meet the MC, launches today (4th March). As well as telling the stories of this crucial new wave...

Paradoxically, in 2021, starting out as a rap producer is both easier and harder than ever before. Easier, because young beatmakers have more tools at...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Welsh music feature

Since electronic music’s early days, Wales has produced incredible artists, but is often overlooked in its history. Here, Dave Jenkins celebrates the unsung heroes of the scene and meets a new generation putting their national identity at the forefront of their music

Croeso i Gymru, a land rich with music history. Home to the oldest festival of music and culture in Europe (the Eisteddfod, 1176), Marconi’s first...

Düsseldorf is a city steeped with a history of artists and clubs that have existed on the bleeding edge of alternative music – from Kraftwerk...

It’s 3am at a packed out Salon des Amateurs, and Vladmir Ivkovic is playing b2b with Toulouse Low Trax. The Belgrade-born DJ has just dropped...

DJ Mag spoke to two of the scene’s icons about their takes on the scene in 2013, their manifold future plans, and the enduring spirit...

When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.