The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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I. JORDAN has stormed the electronic music world in the last couple of years with their energising productions and DJ mixes. Their 2020 breakthrough EP...
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Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...
Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...
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How can we make clubbing better for disabled people? When events return in 2021, clubs need to be more accessible for disabled guests and performers...
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Stanton Warriors are the UK breaks and bass duo who've fought fiercely to push their genre-blending sound for more than two decades. And with a...
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After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...
Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...
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The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...
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Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
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With its high-energy beats, infectious dance routines and community ethos, Jersey club has become a global phenomenon. Tice Cin reports from New Jersey on some of the people pushing the sound forwards, the special moments they create, and their hopes for the future of the music