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Results for: James Brown

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Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

‘Pills ’N’ Thrills And Bellyaches’ header

Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era

Baggy/Madchester (the terms are largely interchangeable) is one of the most globally under-appreciated musical genres to have ever emerged from the UK’s musical underground. And...

A shot from AUDRA festival in Kaunas featuring Caterina Barbieri's synth performance in a tower-like hall

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

Pergalė is a sprawling industrial complex in a forgotten corner of central Kaunas, Lithuania’s modest-sized second city. A gated entrance obscures interior yards from view...

Black-owned music organisations, radio stations and record labels are helping to create vital platforms for Black producers and DJs who’ve been held back by systemic...

Though all genres of Black music have been subjected to exclusion, commodification and whitewashing, Black ownership in music varies. While rap and hip-hop are largely...

From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...

Throughout 2020, like so many others, Dego spent months stuck at home. Unable to commit to his normal routine of studio time, he found himself...

The ESP Instituer Logo on a blurry grey blue background

Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems

Los Angeles’ ESP Institute has delivered over 120 releases since its inception 14 years ago – an impressive feat for a label that remains fiercely...

On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...

Last weekend, one of the UK’s best-loved festivals, Houghton, was cancelled due to a typically British extreme weather warning in peak summertime. Among the acts...

We take a look back at the news of 2015 through the prism of the international dance music scene. It's been quite a year!

January is a notoriously slow month in clubland — a time when gym memberships take priority over all-nighters and pennies are scraped together. Many top...

The Sound Of: Touching Bass

Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far 

“Touching Bass is a musical movement,” Errol Anderson tells DJ Mag. “And when I say movement, I’m thinking of forward movement — energy.” Alex Rita...

The Drumcode boss lays it all out in a candid interview...

 On the eve of Drumcode’s 20th anniversary, Adam Beyer sits down with DJ Mag to talk about his label, his family, and what’s possible...

The parties not to miss at ADE 2014

Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...

The synth sorcerer breaks down his live setup

Combining the creative futurism of techno with the melodic buzz of disco, Inner City laid the template for upbeat dance music albums

That Detroit gave Motown to the world, two decades before it birthed techno, is a historical fact that if not exactly ignored by electronic music...

If you’re telling people to “keep politics out of music”, you’re missing the point. Here, DJ Mag’s Harold Heath explains why politics are an integral...

Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...

On the face of it, ‘Romanworld’ looks like a pretty conventional electronic music album. Released in 1996 by UK indie Azuli, it rounds up 12...