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Results for: Joy Orbison

Can Gemini’s G4V four-channel budget DJ controller propel Gemini back to the top of the pack?

Of late it seems that hardly a month goes by without the release of a new DJ controller, whose raison d’être is to tempt the...

Selections: Shannen SP

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Shannen SP spotlights amapiano, footwork, Asakaa drill and more

Shannen SP’s sets collate music from the vanguard of African and Afro-diasporic electronic music. From amapiano and gqom to kuduro, footwork, UK funky and rap...

The Warehouse Project returned for its final year at its “spiritual home” of Store Street last weekend. DJ Mag’s deputy digital editor Rob McCallum looks...

The UK club scene has changed hugely since the mid-noughties. The End is gone. As are The Cross, Turnmills, The Arches, Sankeys and countless more...

Scottish hardcore visionaries Clouds, together with designer David Rudnick, have gone above and beyond for their new album project, creating a nightmare future, yet finding...

It’s past midnight and DJ Mag is roaming around the grounds of a former prison in the arse-end of Amsterdam. We’re here with Clouds, a...

We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...

You might expect Abra Cadabra’s debut mixtape to rely on the high-energy style of UK drill that racked up millions of views on 2020 singles...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A key artist in UK rap’s second generation, Potter Payper emerged from his most recent stint in prison on a tidal wave of creative energy that...

Potter Payper is lucky to be here. How lucky depends on how deep you probe into the many lives he’s lived. Actually, ‘luck’ probably isn’t...

Through her radio shows, DJ sets, parties and records, Colleen ‘Cosmo’ Murphy has encouraged dancers and listeners to enjoy the details and synchronicities of music. DJ Mag’s Anna Wall meets...

It’s a humid summer day in London. The streets of De Beauvoir in Hackney appear quiet, but from a distance, the 1960s-built Rose Lipman Building...

Chicago-born vocalist and musician KeiyaA’s debut album ‘Forever, Ya Girl’ was self-released last year, and won praise for its multi-layered and tender sound. Christine Ochefu...

When KeiyaA readied the release of her debut album, ‘Forever, Ya Girl’, last March, she was surprised at how quickly it took off. “I put...

 One of Northern Ireland’s most exciting selectors, Holly Lester, serves up a fiery mix of eclectic, full-throttle house as part of our Fresh Kicks series...

It’s no secret that Northern Ireland is fast becoming one of Europe’s most established rave destinations. With festivals like Belfast’s AVA and Derry’s Jika...

Movement’s 2105 edition underlined all that is unique and alluring about Detroit, while pointing to the potential pitfalls of the festival straying too far from...

 

There’s something about Detroit that gets under your skin.

A mystery wrapped inside an enigma, to borrow a saying, it’s both what you expect...

The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021

Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...

Is the Finnish EKS company coming of age with their new Otus digital DJing interface?

The Otus comes across as a truly professional product for controlling DJ software and features a built-in six-channel Burr Brown soundcard, which sounds really fat...

Is the Finnish EKS company coming of age with this new digital DJing interface?

The Otus comes across as a truly professional product for controlling DJ software and features a built-in six-channel Burr Brown soundcard, which sounds really fat....

Saul talks about his new album, collaborations and a hatred of pirates.

Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.