Some years stand out for the bangers they produced, for the adrenaline-shot belters that shook festivals and club floors night after night, and never felt...
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Results for: Killers
Is being fit and healthy mutually exclusive from the hedonistic world of dance music? Or can exercise and late-night club culture happily co-exist? DJ Mag...
DJ culture has long been synonymous with a lively hedonistic lifestyle: late boozy nights, early mornings, days and weeks touring on the road — a...
2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...
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Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...
An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...
Features
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’
Features
Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...
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Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...
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After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves
Features
It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
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The Black Madonna is the real deal. Raised in Kentucky but born in the DJ booth of Chicago's Smartbar, she's unleashed the true spirit of...
It’s a Sunday in 2015 on the third day of UK festival Field Maneuvers, a back to basics ‘dirty little rave’ held in a eld just...
TWO DAYS OF EPIC PARTYING
I had to pinch myself twice just to be certain it wasn’t a dream. See, if you love dance music the way I love dance...
We met him in London to talk about his dance epiphany, the importance of staying true to your vision, and giving his fans what they...
“Everything I do, I see myself as a bit of an outsider, I'm not strictly within the dance music world, I'm not strictly within the...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
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Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him