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Victoria Park, London on Saturday 8th June

Thunder and heavy downpours at 11am is not a good sign on the day of a summer festival. Nor is a forecast predicting rain until...

The biggest tunes on the underground this month

Since winning Best Label at the DJ Mag Best of British Awards in 2011, Defected have continued to go from strength to strength. Adroit at raising their finger to detect the prevailing wind of change, they've earned their rep by transforming the stirrings of the underground into mainstream success, pushing the likes of Tensnake to even greater heights and introducing house legends such as MK, Murk and Kevin Saunderson to a new generation of clubbers.

The mother of all festivals

Mother of all festivals, Glastonbury is a fantastic place to go for dance music fiends — and indeed for fans of pretty much any style of music. The DJ Mag crew arrive on Saturday morning, having already missed a wealth of talent such as Boys Noize, Simian Mobile Disco, Julio Bashmore and Gold Panda, as well as Chic, the Arctic Monkeys and Portishead, but it doesn’t matter as there’s plenty more to be had over the next two days of frivolities.

We share a minute with a rare deep house talent

Over the last few years he has imbued his own music with a very unique voice. Slightly grainy and tortured sounding, the Toronto based producer has been on a mission to shake things up and get away from diva cries of “Detroit” or “one love” and instead concerns himself with more cerebral subject matters.

April's essential UK parties unwrapped

Don't be an April fool, load up your party purse and trundle on to one of these cheeky wee stomps...

Album of the Month: Kode9 ‘Escapology’

On his new album based on a work of sonic fiction, Hyperdub founder Kode9 creates a strange, uncertain vision of the future, brimming with ideas and club genre mutations

There’s been a conceptual thread running through much of Steve Goodman’s output since he first adopted the Kode9 name. Though the Scottish artist’s DJ sets...

Widescreen mixes by ambient guru race to No.1!

In a parallel universe, the trippy, floaty, cinematic DJ mixes of Mixmaster Morris would be top of the charts — essential for any post-club after-party...

Selections: FOQL

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Pointless Geometry's FOQL spotlights experimental electronic sounds from the Polish underground

“I am not really a DJ in a club way, more of a plunderphonist!” says Justyna Banaszczyk, aka FOQL, whose Selections feature a fascinating assemblage...

Wild Rumpus is just that: an insanely fun, out-of-control party on wax...

The brainchild of DJ Cosmo (Colleen Murphy) the Boston-born, New York raised, London dwelling disco / house music legend, and infamous leftfield guitarist Gary Lucas, who's played with Captain Beefheart, Lou Reed and Jeff Buckley, they make the kind of funky psychedelic rhythms that can only emanate from maverick minds. First single 'Musical Blaze Up' traverses the dub country route, while new cut 'Purple Somersault' is a bizarre and brilliant collision between cranked Kraut-rock drums, wigged surf guitar and scratchy funk. DJmag beckoned Murphy away from her surf board for a minute to talk names, grooves, and grand plans…

So why the name Wild Rumpus?!

"It's from a children's book called 'Where the Wild Things Are' by Maurice Sendak which I loved as a kid and which I read to my daughter. There is a great part of the story where the little boy and his monster friends are about to have a manic dance party underneath a full moon and it says, 'And now let the wild rumpus start'. It just had to be used."

It seems to be quite an unusual hook up, between you Cosmo, and Gary Lucas. How did you come to be working together?

"Gary and I have been friends for nearly 20 years and have talked about working together for ages. I used to do a few different radio shows on WNYU in NYC and had him up when he was relaunching his solo career in the late '80s. As most people in the UK know me for being a 'dance' DJ, many may think it is quite an unusual collaboration. However, most people don't know that I was first and foremost a rock chick and founded the first psychedelic / progressive rock show on my radio station and I was a huge Captain Beefheart fan before house music even existed!"

You seem to have a diverse taste - one minute dubbed out beats and rhymes, the next Krautrock surf music... Is there a grand Wild Rumpus plan?

"Wild Rumpus is about fusing different styles but in a way that works. It's also about having fun and being irreverent. And finally it's about being different. I spend a few hours at the record store and find that 99% of the music to which I am subjected to is derivative. It's so boring. Gary and I both have musically diverse backgrounds and we are able to use our musical heritage in a unique way. This is all music we love!"

What's a 'Purple Somersault'?

"It's a 'term' my daughter came up with. Her favourite colour is purple and 'purple' has also become an adjective that means something that is 'the best'. She likes being flipped upside down and would ask us to help her do an orange somersault, a black somersault (very sinister), a yellow somersault (happy!), etc. But the best was always the 'Purple Somersault'. Also, as this is a surf tune, the somersault refers to the somersaults one does underwater after a wipe-out."

Is there an album in the works? What can we expect?

"There is an album in the works. We have a lot of Gary's guitar tracks that we have recorded and now it's up to me to put it all together so I have quite a job in front of me. Gary is the most original guitarist and can do anything. When we're in the studio it's just so easy but the problem comes with the editing and arranging as sometimes there is almost too much! All I can say about the album is that it will be diverse but always psychedelic and soulful."

What's next for Wild Rumpus?

"Right now we're getting our live show, The Wild Rumpus Experience, together for the summer. We have performed in some wild places including India and are hoping to for some of the UK festivals. We work with visual artist Rob Rainbow who works with The Light Surgeons and Nitin Sawhney amongst others and have also worked with percussionists and a poi fire dancer! We have a show that reaches people on many dimensions so the visual element is really important. We just want to do something that is a bit different."

From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...

From countries and regions marred by fraught political and social systems, rises a frenetic counter-cultural scene. A post-Troubles Belfast birthed raging punks and clanging industrial...

From humble beginnings to DJ megastardom, we run through some of the duo’s most iconic moments...

Sasha & John Digweed are one of electronic music’s most dynamic and forward-thinking duos. Having first encountered one another at Mansfield club Renaissance, they quickly...

Sonar can't be beaten when it comes to mixing the banging with the experimental. For over 20 years the Barcelona festival has kept it real...

There are many contenders to the crown but only one king. When it comes to festivals, there's nothing else like Sonar — the Barcelona event...

The Cast of fresh talent to play alongside dBridge on Thursday

Regular readers will have noticed weekly updates on the Intel PowerUp DJ competition in association with DJ Mag and bass music legend Benji B.

Well...

Fresh Kicks 189: SUCHI

SUCHI records a "deep, percussive, bassy and hypnotic selection with touches of euphoria” for the Fresh Kicks mix series, and chats to Tara Joshi about growing up in Norway, the Daytimers collective, and the varied cultural influences that have guided her sound

“For me, it’s about moving the dancefloor, physically and emotionally,” Suchi Ahuja explains over the phone. Anyone who has witnessed a set from the Manchester-based...

Something’s happening on the peripheries of jazz, but what do we call it? Alanna Henry delves in to find out

In the UK, new experimental sounds born from the jazz tradition are transforming the live experience. Fusing with mainstream genres like grime, hip-hop and reggae...