The output of British-Iranian Londoner Omid Nourizadeh comes in many shapes and forms; from the deep house records under one of his many aliases Changing...
Search
Results for: London Mayor
Here's the up-and-comers we've got our eye on...
Theo Kottis
Theo Theo Theo!
If you haven't seen Theo Kottis' name about town yet, it won't be long until you do. Picked for Groovefest...
Features
To coincide with his new album release, Omid 16B picks out ten tracks key to his musical development over the years
Features
From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...
Features
The latest and greatest DJs and producers rising to the top this month. From psychedelic techno and frosty EBM to glimmering experimental pop and club...
Features
Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...
Features
The latest and greatest DJs and producers rising to the top this month. From thunderous techno and languid house to colourful bass and EBM, here's...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...
Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...
Features
With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...
Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...
San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...
Features
DJ Mag heads to Belfast to take a tour around the hometown of rising DJ/producer Richie Blacker, whose music has appeared on labels like Skream's Of Unsound Mind and Anjunadeep
We drill down into the nitty-gritty of the 2015 placings, and congratulate this year's new No.1 act...
It's the poll everybody in dance music is still talking about. Love it or loathe it, DJ Mag's Top 100 DJs poll is still the...
Features
With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...
Above & Beyond are a genuine phenomenon. Arguably the biggest electronic DJing and production collective the UK has ever produced, inspiring almost unimaginable adulation in...
“It's wonderful and troubling at the same time, because there's this sense of responsibility when somebody lifts their shirt up and their entire back is...
Since teaming up a couple of years ago, Mumdance and Logos have been smashing it. Their diverse backgrounds complement each other nicely, and now their...
'Sankofa' is both a word and symbol native to the Akan language of southern Ghana that stands for the notion that it is OK, in...