Around 150 people every day, or six people every hour, died from a synthetic opioid overdose in the United States last year. The total number...
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Features
Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...
An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...
Double Trouble in Singapore
After 12 years of throwing outdoor beach parties, Singapore’s Zoukout switched from a one-day event to a two-day extravaganza. DJ Mag went along for the ride…
Remixer of choice and Best of British nominee Ewan Pearson spills the beans on his successful career to date and his new 'Fabric' CD.
You've moved from the UK to Berlin. How is life over there?
"Very good, yep. It's a very vibrant and exciting place to live, but...
Features
Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...
Features
The creative trajectory of Porter Robinson has seen the American producer weave through diverse genres and challenging sounds. DJ Mag chronicles the pivotal moments and...
At age 26, Porter Robinson already stands as one of America’s greatest, most ambitious producers of his generation. From his humble beginnings as a self-taught...
In October 2013 London’s best-known record shop, Phonica has turned 10.
Opening a vinyl-only store in Soho just over 10 years ago was seen as a risky move. The area was, and still is, saturated with...
Features
Souped Up has been a driving force behind the new jump-up sound that’s taken drum & bass by storm. With an emphasis on fun, energetic...
Features
With her supercharged rave productions and hybrid sets that pack in everything from breakbeat hardcore and donk to footwork jungle and techno, Yazzus embodies everything...
With Marc Romboy, Jules Buckley, Max Richter, Carl Craig and more...
At first glance, we’re led to believe that the worlds of classical and electronic music are galaxies apart. But there are more parallels and crossovers...
Features
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
“Om Unit was never supposed to be a jungle or a drum & bass project, as such,” Jim Coles, the man behind the moniker, tells...
Opinion
The Warehouse Project returned for its final year at its “spiritual home” of Store Street last weekend. DJ Mag’s deputy digital editor Rob McCallum looks...
The UK club scene has changed hugely since the mid-noughties. The End is gone. As are The Cross, Turnmills, The Arches, Sankeys and countless more...
Features
As Porter Robinson prepares for his first-ever EDM-free tour, in support of his debut album ‘Worlds,’ the 22-year-old reveals the bold risks he took to...
Post adolescence angst. That stretch of time in your early '20s spent agonizing over your place in the world. Suddenly stripped of the protective safety...
"Smoke weed every day."
You’ve got to give it to them – Das Racist are like nothing else out there.
The Brooklyn-rooted hip-hop duo first hit the scene a...
Features
Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems