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Proof that the scene is still going strong

Despite a succession of club closures during 2016, the UK scene has remained bullish. In London, Fabric has been saved to everyone’s relief and a...

The tale of how one quirky little tune became a sensation...

“Serious artists in general are assholes,” spits Quentin Dupieux. “DJs who don’t smile are boring. Musicians who think they have something important to say are...

DJ Mag Tech takes a look at the newly opened Point Blank Studios in London...

Point Blank (London) has the heady accolade of being the best equipped Ableton and Pioneer training centre in Europe. However, not content to rest on...

Pioneer DJ are taking the good fight onto the dance floor with their Pro Audio Speaker installs

 

Pioneer DJ are in a rather unique position, dominating the DJ booths in clubs all over the world, being a staple in every up and coming...

Categorise him at your peril

Try to categorise Dismantle at your peril. Like his name alludes, the Brighton-based producer has been taking apart the genre boundaries at the seams and engineering his own unique blends of bass-heavy influences — which range from jump-up drum & bass and bleeping Dutch house to Bugz In The Attic-esque breakbeat and classic reggae. 


The full story ahead of Bloc London series launch

While the Bloc 2012 catastrophe has been widely documented, speculated to high heaven by bloggers, journalists and hordes of self-appointed pundits on Twitter, the actual reasons for the event's failure remain a little unclear to most. We sat down with Bloc's George Hull for the full story...

New main room hero Deniz Koyu favoured by all the big boys

Rising star Deniz Koyu was born in Germany to Turkish parents, but now lives in Holland where he works closely with dirty Dutch star Fedde...

Line-up for WHP 2012 announced

Club colossus Warehouse Project served the billing for its 12-week stint at new home at Victoria Warehouse, Old Trafford, this week. And, yes, as...

Allen & Heath add a new dimension to the DJing market by introducing another DB series mixer to the fold

When hardware masters Allen & Heath dropped the DB4 last year it raised some eyebrows in the DJ community. Often heralded by DJs and audiophiles...

LTJ Bukem - the undisputed don of dreamy drum & bass - is back with a killer 'FabricLive' mix and a resurgent Good Looking Records

It’s arguable that, Goldie aside, nobody did more to disseminate drum & bass in its early years than DJ/producer/label kingpin LTJ Bukem. His spacey, rolling...

Top 100 DJs logo

Analysing the key trends from the voting in this year's DJ Mag Top 100 DJs poll, in aid of Unicef, as Martin Garrix takes the top spot

Martin Garrix is back at the top of the pile this year, a position he held from 2016-18. The Dutchman’s fourth No.1 placing elevates him...

Fresh Kicks 178: Amy Dabbs

Amy Dabbs records a mix of uplifting, festival-ready house for the Fresh Kicks series, and speaks to Kamila Rymajdo about overcoming uncertainty to seize her moment as a DJ and producer

London-born Amy Dabbs grew up around music. On the way to school, her dad — a Northern soul DJ from Blackpool — would play Motown...

Counting down the 2010s, we round-up the albums that defined the decade in electronic music

How do you rank a decade’s worth of music? The truth is, you can’t. An album that meant the world to you might make someone...

Phelimuncasi

South African gqom trio Phelimuncasi have risen to fame with their politically charged vocals and innovative beats. Makua Adimora catches up with them to learn about their new album ‘Ama Gogela’, their creative process, and why their music is here to entertain and agitate in equal measure

“‘Phelimuncasi’ means ‘you drink whatever you drink with a straw and you finish it’,” Khera, one-third of the South African gqom trio, Phelimuncasi, tells DJ...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...