FOR FANS OF: MALA, KODE9, L U C YAfter meeting at the back of a lecture hall at university, surrounded by classmates whose music taste...
Search
Results for: MPC One
For their second album, Hamburg's disco-sampling duo Session Victim decamped to San Francisco and discovered a new way of working with analogue synths, drum machines...
It's great dance music is so big now that your mum hums Disclosure. What isn't so great is that because dance music is so popular...
Features
From bass heavy club sounds, forward-thinking electronic music from West Africa and hip-hop flavoured house, through cosmic jungle and battle-grade grime, here are the essential acts...
Features
The latest and greatest DJs and producers rising to top this month. From left-field pop, krautrock and techno to melodic UKG and ice-cold UK rap...
Features
Mexican juke pioneer Sonido Berzerk records an hour of blistering solo productions and collaborations for the Fresh Kicks mix series, and chats to Kamila Rymajdo...
Cover Features
Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...
Features
After discovering videos of rapid-fire MCs spitting in Portuguese over baile funk-flavoured beats, London DJ and Butterz co-founder Elijah linked up with Brazilian artists CESRV...
Opinion
Gobstopper Records head, Mr. Mitch, discusses Black experiences, the white gaze and his decisions as a label boss
His undying love for garage kept it alive during leaner times, and as his recent 24-hour set for Cancer Research on Boiler Room showed, his...
Dressed in black t-shirt and cap, garage don DJ EZ stands in stark contrast to the bright white walls of the south-east London studio that...
News
The UK cross-party report comes as FKA twigs spoke to a US Senate subcommittee on intellectual property about her own AI deepfake tools and the importance of artist agency
Features
It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
Features
Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era
Features
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
UK producer Lange delivers an exquisite selection of melodic trance
"We are the music makers, and we are the dreamers of dreams." It's these resonating words — spoken by Willy Wonka in the original film...
'Basic Colour Theory' is anything but just another dance album. We sat down with them to find out about the philosophy behind it...
Polish duo Catz 'N Dogz are no strangers to DJ Mag readers. Rising to underground recognition over the past five years through their association with...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today