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Multi-platinum selling producer, DJ to tens of thousands every week and EDM figurehead: Afrojack is undeniably one of global dance music’s biggest names. In a refreshingly frank interview, the Dutchman cuts through the crap and criticisms and discusses the EDM boom, the concept of selling out and gives us an insight into his upcoming album...

When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.

On the eve of his latest 'Metal Dance' compilation, Trevor Jackson explains dark sounds are nothing new in dance...

2013 marks a special year for the London drum & bass and dubstep duo Chase & Status. Celebrating their 10th anniversary, the production couple of Saul Milton (Chase) and Will Kennard (Status) have delivered a sound that dips into breaks, hip-hop, dubstep, d&b and jungle since their first release ‘Like This’ on Vehicle Records in 2003.

Legends is a word that is bandied around so lazily these days that it often loses all meaning, but with Todd Edwards and DJ EZ, the cap well-and-truly fits.

Ten years ago, DJ Q released his first 12”, 'Love Like This'. The track was a bassline stomper, a grimy slab of sub-low and brutal...

Best known as one half of nu disco/deep house duo Metro Area, Morgan Geist's new moniker — Storm Queen — is about to have a bona-fide chart hit with the previously released 'Look Right Through'. The track has had a long gestation period: produced with singer Damon C. Scott, who shot to prominence for being filmed singing on the NYC subway, it was signed to Defected at the end of last year and the MK dub became an anthem in Ibiza and at many festivals over the summer just gone.

In the late '90s there was a perception of DJs as vinyl-hugging technophobes who relied on a 20-year-old turntable design and swore by headphones launched in the '80s. It used to be an utterly fair stereotype — after having reviewed the very first Traktor back when it ploughed into the scene, trying to convince my clubland chums that it was “the future” I was met with pity and derision.

In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...

Music has been saving Matt Karmil’s life since he was a child. Spending much of his early adolescence debilitated by illness – which would later...