For over ten years, KiNK has been one of dance music’s most captivating live performers. His energy on stage is matched by the driving techno...
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The Bulgarian crowd favourite takes us through an in-depth behind the scenes of his live show, set-up and performance approach
Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...
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Nine essential documentaries, focused on the classic '80s and '90s hip-hop that laid the foundation for rappers to build a world-conquering movement
Is this the end of the road?
Pre-2014, Malaysia was one of the hottest places in South East Asia for music events. Boasting a culturally diverse nation with a very healthy and...
Claude VonStroke and his Dirtybird label celebrate 15 years with the wind beneath their wings this year. To mark the anniversary, the label head is celebrating...
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The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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To coincide with his new album release, Omid 16B picks out ten tracks key to his musical development over the years
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DJ Shadow's debut album, 'Endtroducing.....', released via UK label Mo'Wax Records in 1996, presented abstract, instrumental hip hop as a worthy deviation from the...
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California's rave history is rooted in outdoor free parties that celebrated psychedelic music and and unique environments. DJ Mag's Matt Anniss speaks to the Bay...
British ravers get the summer pick-up we needed at 10th Secret Garden Party
With the hysteria surrounding Bloc 2012 down to a brooding hum, the two weeks after the fiasco feeling gradually switched from scornful disdain to dull...
It's been another bumper year for quality dancefloor tracks. Here's our discerning pick of the best...
Bicep, Koze and Woolford are just a few names that have become reassuringly prevalent in our end-of-year pages in recent times — and, yes, there's...
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Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...
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With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
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In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Tiffany Calver spotlights head-turning UK rap and garage, punchy bass, big-room amapiano and more