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Results for: Master Peace

Paradox: the numbers game

Three decades and nearly 200 records into his  career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live

“At the moment, I’m just trying to think of ways to bankrupt my distributor,” says Dev Pandya, his face plastered with a schoolboy grin. While...

Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...

Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...

Since its inception in 2016, Dublin Digital Radio has become a vital community outlet for many Irish DJs and producers, and has been of added...

For music fans that feel at odds with the algorithmic nature of streaming platforms, online radio is delivering an alternative source of music discovery and...

Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...

“The albums are a trilogy,” says Illenium. “That was my idea, which makes me wonder what I’m going to do next, but I’m not worrying...

Artists to watch 2022

Introducing the artists set to make waves this year: From Jersey club, Afrotech, and hardcore to UK rap, Brazilian grime, Ghanain asakaa and beyond, these are the DJs, producers and MCs pushing tomorrow’s sounds today

The hyper-kinetic pulse of Jersey club is taking over the world, and one of its most prolific young talents is New Jersey polymath, SJAYY, whose...

 Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...

BEST DJ: ANDY C

The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...

“It’s the...

With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...

Being in close proximity with people you don’t live with is a dangerous activity. Being in a confined space is a dangerous activity. Dancing close...

Stefan Kozalla is many things to many people: co-owner of an acclaimed label, production enigma and true free spirit. DJ Mag caught up with him...

It makes sense that DJ Mag has landed in Barcelona to meet DJ Koze. It’s a city where the abstract and traditional happily co-exist, where...

Adam Beyer is one of the biggest names in techno, renowned as much for his DJ sets as his highly successful Drumcode record label. Ahead...

“I was quite angry as a teenager,” Adam Beyer says. We’re sitting across from the Swedish DJ in his Ibiza home, talking about the death...

J Dilla press shot

J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact 

D is for Detroit. D is for Dilla. D is for ‘Donuts’, the legendary 31-track collection that James Dewitt Yancey — aka Jay Dee, aka...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Billy Nasty shot by Carl Loben

A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing

It’s fitting that DJ Mag meets acid house original, world-class DJ, UK techno trailblazer, mix-CD pioneer and vinyl-devotee Billy Nasty in his record shop The...

Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...

In 2017, during his 21st rotation around the sun, DJ Lag was experiencing a moment that every artist dreams of but few ever reach. Gqom...

We shine a light on the names destined to have it large this year...

Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...

For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...

By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...