Whether she’s behind the decks or behind the scenes, Kristin Malossi is one of those people who simply makes things happen. A South Florida native...
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Results for: Middle East
DJ Mag Ibiza meets the DJ/producer to talk studio secrets, old skool Ibiza, and how to avoid homogeneous DJ sets...
He’s the latest superstar DJ to nab himself a season-long residency at one of Ibiza’s top superclubs, but Maceo Plex isn’t playing by anyone’s rules...
The latest, biggest and most epic addition to Brazilian's vibrant clubbing scene, Green Valley might just be the best outdoor club we're ever likely to...
Whoever said that travel broadens the mind probably wasn't thinking of times like this, but it's certainly stretching any previous conceptions of what outdoor clubbing...
Features
The latest and greatest DJs and producers rising to the top this month. From soulful house and industrial techno to razor sharp rhythms and organ...
TWO DAYS OF EPIC PARTYING
I had to pinch myself twice just to be certain it wasn’t a dream. See, if you love dance music the way I love dance...
Features
DJ Mag heads to Belfast to take a tour around the hometown of rising DJ/producer Richie Blacker, whose music has appeared on labels like Skream's Of Unsound Mind and Anjunadeep
The knob-free touch controller from Livid
It's impossible to review any kind of DJ or studio controller without chucking in a few ‘Inbetweeners’-style knob-gags, so you can imagine my distress when this reviewer first unwrapped Livid's Base, an entirely touch-sensitive USB MIDI controller. Were they so desperate to be taken seriously that they'd deprive a lonely studio soul of his one puerile release? Actually no, there's a very good reason to go knob-free. Join me on a session of tender touching to find out...
Huxley talks longevity, collaborations and steering clear of the pop-dance route...
The last few years have seen seismic shifts in dance music culture. Large swathes of the scene seem to have abandoned their heady underground ideals...
INTERVIEW: Sound designer releases debut album 'Human'
Max Cooper is one of the cleverest DJ/producers working in the industry today. He has a PhD in genetics, but has instead decided to make...
Features
DJ Mag spends some time with the Brazilian DJ sensation while he’s over in London for a show at Ministry Of Sound, and learns about his journey from hardships to huge success — and how being in a plane crash changed his perspective on life for the better
Sound Factory legend talks voguing, Madonna and his European tour
Across Paris, London and New York, the sound of ballroom is again infiltrating every area of dance music, from Vaggio's 'Don't You Want Some More'...
Cover Features
What could the ideal safe space club look and feel like? Michelle Lhooq imagines a possible future for nightclubs where everyone is free to dance...
Cover Features
London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy. As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more
Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Irreverent electronic/instrumental brilliance.
Ready for crazy but cohesive collages of classical strings, bumpy dance beats and leftfield pop hooks? You better be ‘cos Clean Bandit have ambushed the mainstream with their refreshing blast of irreverent electronic/instrumental brilliance. But they aren’t easy to pin down...
The seminal tracks that altered dance forever!
In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.