Dancehall music has been the driving force in my career. As a DJ, I’ve played most if not all genres of music on radio and...
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Born in Jamaica around half a century ago, dancehall music has found fans, artists and chart-topping success all around the globe in the decades since...
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The latest and greatest DJs and producers rising to the top this month. From jungle and Afro house to experimental dub and techno here's August 2022's list of upcoming talent you should be keeping track of
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How can we make clubbing better for disabled people? When events return in 2021, clubs need to be more accessible for disabled guests and performers...
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DJ Mag spends an evening with veteran house producer and maverick DJ Kerri Chandler. The force behind labels Madhouse, MadTech and Kaoz Theory’s home studio is bursting...
The lower floor of Kerri Chandler’s house looks like the backstage production labyrinth of a massive arena. Hallway after hallway, shelf after shelf, room after room, there are stacks...
'Basic Colour Theory' is anything but just another dance album. We sat down with them to find out about the philosophy behind it...
Polish duo Catz 'N Dogz are no strangers to DJ Mag readers. Rising to underground recognition over the past five years through their association with...
After a trip to South Africa, an engagement with politics and a need to explore new musical avenues, these Bears have teeth.
“If someone said to you ‘Jesus is drinking in a pub in Elephant and Castle’ you’d go and have a look wouldn’t you?” Well, bearded...
Morgan Geist returns to his original house music inspiration.
Best known as one half of nu disco/deep house duo Metro Area, Morgan Geist's new moniker — Storm Queen — is about to have a bona-fide chart hit with the previously released 'Look Right Through'. The track has had a long gestation period: produced with singer Damon C. Scott, who shot to prominence for being filmed singing on the NYC subway, it was signed to Defected at the end of last year and the MK dub became an anthem in Ibiza and at many festivals over the summer just gone.
We shine a light on the names destined to have it large this year...
Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...
Cover Features
With three decades as one of house’s biggest names under his belt, Roger Sanchez has seemingly lost none of his enthusiasm for the music that...
For long-serving Berlin techno queen Ellen Allien, a return to the physical — in both the way she plays and makes music — has re-energised...
She's been playing gigs in record shops, buying and playing lots of vinyl, and made her new album, 'Nost', using mainly analogue equipment. Her seventh...
Features
Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
The undiluted opinions of Kris Wadsworth
Raised in Detroit but currently residing in "Uranus", Kris Wadsworth has been scrapping away for some time now, hitting big with releases for the likes...
Features
Berlin-based modular obsessive and Berghain resident, JakoJako, shows Niamh O'Connor around her hardware-heavy studio, the famous local synthesiser store where she works, and her favourite place to grab a bowl of pho
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From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...
Features
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”