“The clubs are coming back, pass it on!”Like a whisper rippling through a crowd, excitement is mounting as venues prepare to reopen their doors. But...
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Results for: Music For The Jilted Generation
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Slowly but surely, dance music in northern England is rebuilding, and the past year has encouraged some promoters to rethink how they can make clubs...
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Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...
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The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
Sam Divine, Dennis Ferrer, Sonny Fodera...
When Simon Dunmore left his major label A&R job with AM:PM, the dance offshoot of A&M Records, to start his own independent dance label, even...
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When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story
Buzzin' hardcore classic 'Bus It' by Blapps Posse was a riotous, sampladelic mish-mash of hip-house and rave. DJ Mag talks to its key originators, Aston...
A year-and-a-half after his near-death accident, Paul van Dyk returns to trance stronger than ever, with a new album, new live show, and new perspective afforded to those who have grazed the...
This isn’t your average comeback story. And Paul van Dyk isn’t your average comeback kid. The Grammy-winning German DJ/producer is a legend in his own right, hailed as...
The high-energy drum & bass sub-genre is back... and in a very big way!
Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...
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Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit
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Chicago house legend Paul Johnson has died, aged 50
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Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots
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DJ Mag’s Miami Music Week pool party is taking place at the Sagamore Hotel on Wednesday (20th March), in association with Epic Pool Parties, and we’ve again pulled in a top-notch line-up for the festivities. Here we catch up with every artist playing at the party: ANOTR, AQUTIE, Chloé Caillet, Joseph Capriati, Louie Vega, and Ms. Mada
DJ Mag’s annual Best of North American Awards poll gives our readers the opportunity to show their love to their favorite DJs, producers, labels, clubs...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...