“I always describe myself as ‘Snow White turns 21 and then the seven dwarfs become her strippers’,” Moonchild Sanelly says matter-of-factly, when speaking to DJ...
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Results for: Ones To Watch
House music’s multifaceted Anna Wall is London's most exciting rising star...
You can next catch Anna Wall at Chase The Compass Presents WORKITOUT at Work Bar alongside Ceri, Coco Cole, NINJA and CTC DJs on 29th...
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Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'
The EVO5 is amongst the new breed of mixers taking centre stage in the digital DJ rig, but should it be your nerve centre?
Ecler's latest mixer, the EVO5, is loaded to the brim with technology. It features a six stereo in/out soundcard, complex multi effects and extensive Midi...
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Pleasant Life’s Ally Tropical records a mix of bubbling house, electro and breaks for the Fresh Kicks series and chats to Eoin Murray about the Ransom Note publication and his new party, Meanwhile
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When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Lucrecia Dalt spotlights ‘70s salsa, early 20th century Armenian folk music, abstract dembow, pioneering electronic minimalism and more
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From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
DJ Mag meets Róisín Murphy on the brink of her new LP, 'Hairless Toys'...
Róisín Murphy is the ultimate career woman. From teenage runaway to cult sensation, the mother of two has managed to truly have it all, thanks to...
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Swiss DJ/producer Andrea Oliva had the time and headspace to launch his new All I Need brand during the pandemic pause, and now he can't wait to hit South Beach for our DJ Mag Miami Pool Party next week
Maya Jane Coles spreads her artistic wings wider with a new album under the moniker Nocturnal Sunshine...
Maya Jane Coles emerges from the gloom of her hotel lobby like a tiny beacon. She instinctively reaches her slim arms out for a hello...
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As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...
After a life-changing epiphany at Nevada's Burning Man festival, dance music icon Carl Cox is back with a bang, with an incredible new two-CD mix...
Given his illustrious career, now into its fourth decade lest we forget, you'd be forgiven for assuming that Carl Cox was long past the point...
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Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy
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Dubstep legend Pinch dishes up an hour of cutting-edge bass manoeuvres and propulsive rhythms as part of our Podcast mix series...
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Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.