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Night Slugs boss on his new single, his Essential Mix and Club Constructions
Half of the driving forces behind the ever-evolving Night Slugs, the UK label blending futuristic bass and breaks with the legacy of Chicago and...
Bass music pioneer comes boomin back atcha
One of the most recognizable figures in bass music, Darin McFadyen – aka FreQ Nasty – has been out of the spotlight in Europe and...
Interview and ticket competition for London gig
FCL’s ‘Vocals for Everyone’ EP on We Play House Records was hands down one of the releases of last year. The work...
A catch up with the elusive, enigmatic producer...
Zomby has been breaking boundaries and transgressing borders on a almost monthly basis with a succession of beats that are impossible to pin down. Is...
9. Romero Britto
Art galleries can be a fairly tedious carry on. An orgy of intellectual chin-strokery with the sole aim of would-be critics raising...
DJmag is swallowed into the audible vortex that is the new Kaoss pad 3 and pulled out the whole with some frontline reports from Product.01
When the original KP (Kaoss Pad) landed it split the music tech world in two, some saw it as a mere toy, while others embraced...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
For the first time ever, we meet the two Italians behind all those raw re-disco edits, loopy sampled cuts and technoid boogie bangers...
After going to ground and into their new studio, 'The Tiger's Lair', to record their fabulous second LP 'On The Green Again', Tiger & Woods...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
HudMo turns up the spotlight on his solo album, ‘Lantern’...
Hudson Mohawke is biting his tongue. Not literally, although it’d be difficult to tell via the phone through which he’s speaking as he runs errands...
DJ Mag chats with international superstar Fei-Fei, who proves that dreams can come true...
As police sirens ring in the distance and a pink sunset spreading its vapors over the Los Angeles skyline, Fei-Fei embodies urban royalty and creativity...
MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...
“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.