In its fourth incarnation, delayed two years due to the pandemic, this year’s Whole: United Queer Festival is the hot ticket for LGBTQ+ folks from...
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DJ Mag talks his new LP as Deadstock 33s & scores a first listen.
Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...
An insight into house sophistication
Nick Wilson is an inveterate crate-digger. There's little he enjoys more than delving in the dusty racks of record emporiums to unearth rich seams of...
There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...
Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”
The original electro sound has been seeping back onto dancefloors, whether in the sets of DJs like Helena Hauff and Nina Kraviz or mix-comps by...
Electro inspires a fervid following. The genre is a bubbling underground scene populated by dedicated labels, DJs and diverse producers, scattered across the world, and...
Features
This year’s Whole Festival marked the biggest underground electronic music-focused queer festival on the planet, bringing together LGBTQ+ collectives, artists and ravers from around the globe. Marke Bieschke heads to Germany to find out how Whole has created a world of its own
Features
Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...
As a show of solidarity to support the artists and labels impacted through the cornavirus pandemic, we've launched a weekly roundup of the most vital...
DJ Mag follows the Numbers boss from Glasgow to Glasto to hear about his unstoppable rise....
Jackmaster has hit the big league in recent times. The DJ who started out in Glasgow has now made a name for himself worldwide, yet...
Features
Throughout the ’90s, the DiY Sound System put on countless free events, ran a recording studio and two record labels, and took their hedonistic parties around the world. Here, Harold Heath speaks to co-founder Harry Harrison about his new book, Dreaming in Yellow: The Story of the DiY Sound System, and the collective's trailblazing legacy in the free party movement
Tech
During the pandemic, music tech thrived as the wider music industry fell to its knees. Declan McGlynn explores the possibilities and implications that stemmed the...
Tech
Conversations around automation and DJing are tried-and-tested comment triggers — the ubiquity of the tedious ‘press play’ criticisms and ‘sync button’ debate attest to that. But...
Features
How can we make clubbing better for disabled people? When events return in 2021, clubs need to be more accessible for disabled guests and performers...
Features
With a punk attitude, impressive live shows, and an ever-shifting psychedelic yet dancefloor-friendly sound, Red Axes have brought a breath of fresh air to the...
"When the sun is shining, life can be really dark,” says Dori Sadovnik, one half of Israeli gothic dance duo Red Axes. He’s talking about the...
Features
A lack of data, information, and will has left electronic music producers lagging way behind their commercial counterparts. DJ Mag outlines how that happened, how...