Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...
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With Dalston Superstore, plus Severino mix & interview
Celebrating a decade of love (and boxes), Lovebox return to East London's Victoria Park between the 15th and 17th of June for another massive weekend...
Akai’s APC20 hardware controller proves less is more...
Ever since Ableton became popular with the masses and started to pop up in cooler studios and DJ boxes across the planet, the arms race...
Stanton launches new SC digital control System for DJs
The quest for the perfect DJ system of 2008 continues with Stanton stepping into the game with a complete package of products carrying the tag...
Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
News
Our annual update, addressing how we can tackle racism and diversity issues within the electronic music industry as a publication
January’s Cheeky Bubblers include Anastasia Kristensen, Bryan Kessler, Koko, Itoa and more...
Bryan Kessler
Kessle audio
The latest exciting musical export from Cologne — the city that brought us Kompakt Records, Barnt and Mouse on Mars —...
Long-time electronic overlord Sasha has summoned all his creative powers to unleash his most spellbinding mix compilation yet.
Barely a week goes by without some muso or other declaring the death of the mix CD. And you can understand why, given the proliferation of free mixes that pop up like pop-ups each and every day on the worldwide web. Once every four or so years, though, all that changes, people forget to argue and unite in appreciation of the form once more.
47. The WMC & DMC DJ Spin Off
Reckon yourself as a bit of deck demon or just fancy checking some ill skills? Get on...
Critically acclaimed and wholly unstoppable, musical genius BT doesn’t break boundaries. For him, they don’t exist.
Everyone told BT it was impossible. Record labels and agents, promoters and peers said his vision for ‘Electronic Opus’, a unique mixture of live electronic...
DJ Mag investigates the cynical money-making practice of digital music piracy...
Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...
It took decades and many mutations for dance music to develop into the genres we know today. Here's what happened before DJ Mag was born...
“In the beginning there was Jack... and Jack had a groove!” So the old Mr Fingers track goes, but of course music made for dancing...
Features
“There are no rules,’ says Brighton genre manipulator Etch as he tells DJ Mag about his debut album, 'Ups & Downs' on Sneaker Social Club...
There are plenty of artists who proclaim the influence of hardcore, but there are very few whose birth was possibly induced by it. “She used...
Features
Australian music journalist Andrew Wowk shares the story behind the New South Wales government’s recent festival crackdown, and explains why music venues are currently in the firing...
It's been five years since the New South Wales government, under the leadership of Barry O’Farrell, introduced the controversial lockout laws. These laws were a...
Features
After a chance meeting at Miami Winter Music Conference (WMC) in 2007, Blond:ish was born. But the seeds of their love of DJing and electronic...
What were your first experiences of Ibiza?
Vivie-Ann: “I first came here in 2006. I was living in Rome, so it was more natural to...
We'll be left of that pillar again...
These are the Top 30 UK club events in November 2017, proving Britain's electronic landscape is far healthier than its economy right now.
In London, scientist...