Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...
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Nab a free download of ‘Day to Die’ from High Rankin’s new EP...
Groaning, grizzling dubstep sounds swamped with fast-paced gurgling synths and hi-hats is what High Rankin does best. And moustaches. And comedy spoofs, among other things...
With Dalston Superstore, plus Severino mix & interview
Celebrating a decade of love (and boxes), Lovebox return to East London's Victoria Park between the 15th and 17th of June for another massive weekend...
Akai’s APC20 hardware controller proves less is more...
Ever since Ableton became popular with the masses and started to pop up in cooler studios and DJ boxes across the planet, the arms race...
Stanton launches new SC digital control System for DJs
The quest for the perfect DJ system of 2008 continues with Stanton stepping into the game with a complete package of products carrying the tag...
Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
News
Our annual update, addressing how we can tackle racism and diversity issues within the electronic music industry as a publication
Cabin Fever at The Cause, Bangface Weekender, MUSU x Colours
It has been a terrible time for UK club culture. We lost a big one, perhaps the biggest, with the passing of all round musical...
Features
Experimental sound artist, rkss, delivers a high-intensity mix of pop manipulations, Jersey club, footwork and frenzied EDM as part of our Fresh Kicks series
rkss’ Fresh Kicks mix opens with a frenzied mash-up of metallic flutes, propulsive kicks and the isolated vocal from Rhianna’s ‘Diamonds’. It’s a striking opening...
Features
Music and vegetating on the couch all day watching Netflix are undoubtedly two of life’s greatest pleasures. And as you might expect, Netflix is no...
Critically acclaimed and wholly unstoppable, musical genius BT doesn’t break boundaries. For him, they don’t exist.
Everyone told BT it was impossible. Record labels and agents, promoters and peers said his vision for ‘Electronic Opus’, a unique mixture of live electronic...
DJ Mag investigates the cynical money-making practice of digital music piracy...
Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...
Features
The latest and greatest DJs and producers rising to the top this month. From luminous hip-hop and experimental pop to lucid UK techno and d&b...
Features
In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...
Features
“There are no rules,’ says Brighton genre manipulator Etch as he tells DJ Mag about his debut album, 'Ups & Downs' on Sneaker Social Club...
There are plenty of artists who proclaim the influence of hardcore, but there are very few whose birth was possibly induced by it. “She used...
Features
Australian music journalist Andrew Wowk shares the story behind the New South Wales government’s recent festival crackdown, and explains why music venues are currently in the firing...
It's been five years since the New South Wales government, under the leadership of Barry O’Farrell, introduced the controversial lockout laws. These laws were a...