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Snoop Dogg sued for sexual assault and battery

A woman has reported that the rapper and his associate Bishop Don “Magic” Juan sexually assaulted her in 2013

Content warning: This article contains information relating to sexual assault. Snoop Dogg is being sued for the alleged sexual assault and battery of a woman...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

Bristol-based Brazilian S.P.Y has just made the album of his career by looking back to early jungle. But as he explains, his recreation of the...

Everyone’s a junglist these days aren’t they? You’re a junglist. Your dear old dad’s a junglist. Even that nice little old lady next door and...

The seminal tracks that altered dance forever!

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Akala's Natives: Race And Class In The Ruins Of Empire is a fiercely honest appraisal of growing up poor and mixed race in broken Britain...

MC Akala, the stone cold power-fisted slayer of Charlie Sloth’s Fire In The Booth freestyle session, can also take down any quasi-righteous, over-privileged member of...

The dance world does the full-length once again this year...

Could 2015 be officially declared the year of the debut LP? The Revenge, Romare, Hunee, Nocturnal Sunshine are just a few acts who've taken the...

AI use in music must be regulated, parliamentary group tells government

The UK cross-party report comes as FKA twigs spoke to a US Senate subcommittee on intellectual property about her own AI deepfake tools and the importance of artist agency

A specialised cross-party parliamentary group is urging the UK government to progress stalled plans to implement artificial intelligence regulations and artist protections. In a newly...

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Dirt Crew are desperate to inject some soul and emotion into German electronic music. DJmag.com chatted to them about the state of the German club...

Minimal, minimal, minimal. With so much good minimal music coming out of Germany these days, you'd be hard pressed to hear about a dance music...

Bonobo ATK

The track started life as an edit of Atakora Manu’s ‘Dada'

Bonobo has shared a new single and video, 'ATK', which is out now on his Outlier label in partnership with Ninja Tune. You can watch...

As artists including Skantia, Stompz and Nectax stand at the forefront of one of the most exciting regional scenes in the UK, Dave Jenkins investigates...

Something is bubbling in Newcastle Upon Tyne right now and it’s not just the famous brown ale. In fact, it’s a lot more intoxicating: a...

 A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...

Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.

Dirty South sits still long enough to dissect his magnum opus, an album-turned-movie, ‘With You.’

It’s no coincidence Dirty South’s savagely popular 2010 debut record shared the same name as his label, “Phazing.” The 35-year-old’s propensity for making bold changes...