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DJ Bone is the next artist to feature in our DJ Mag Originals series, Crate Diggin’, out on DJ Mag’s socials now. In the series...

Bryan Gee will be joining DJ Mag this upcoming Tuesday 15th August at London’s Work Bar for a special panel discussion. The co-founder of seminal...

Buzzin' hardcore classic 'Bus It' by Blapps Posse was a riotous, sampladelic mish-mash of hip-house and rave. DJ Mag talks to its key originators, Aston...

2014 was the year house heads reignited their love for melody. While shufflers continued to go wild for garage, a new generation have reared their...

Two decades after they first inspired the establishment to try and legislate against dance music, the breakbeats that fuelled jungle and hardcore have found new life at the hands of producers who were in nappies when 'Terminator' was first released. But what’s behind this latest reworking of the dance music archive?

I've just asked Thomas Green, aka Rockwell, one of d&b's hottest producers and DJs of 2013, who is No.1 on his wish list of collaborators. He's thinking about it. I ponder which jungle/d&b legend he's going to opt for. 
“Ian Mackaye,” he says. Nods affirmatively. “Definitely. I'm obsessed with Fugazi and Minor Threat. It's my first love in music — hardcore punk, I love Black Flag and Henry Rollins as well — in fact I went to see his spoken word show a few weeks ago. Ian MacKaye I think probably wouldn't be very into the kind of music I'd make so the results would be... interesting. But, yeah, I would love to work with him.”
Of course, such genre-bending surprise should be of NO surprise to anyone who's properly listened to Rockwell.

Groove Armada's Andy Cato looks back on the life behind his new 'Times & Places' album for R&S' Apollo imprint — a musical travelogue of his time touring the globe...

Freshly signed to Rinse with a massive tune set to run dancefloors and radios this spring, and with huge tracks for Kerri Chandler's Madtech doing the rounds, Krystal Klear's disco-informed house is more in vogue than ever