The low spring sun is struggling to make a difference as the staggered city peaks of Central London interrupt its pale light. We’re at 180...
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Cover Features
Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...
Features
Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...
Cover Features
With three decades as one of house’s biggest names under his belt, Roger Sanchez has seemingly lost none of his enthusiasm for the music that...
Features
It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...
We pick out 10 of the best books inspired by the early days of acid house
“Those were good days in Edinburgh, in 1990,” says author and screenwriter Trevor Miller, who wrote the acid house culture’s first novel, published in...
Ibiza may be a small and perfectly formed island but with its many layers of hidden charms and nocturnal naughtiness it can be a tough...
1. Steady on son...
Even if you're only here for a week, like anything in life the Ibiza experience is at its best when you...
Claude VonStroke and his Dirtybird label celebrate 15 years with the wind beneath their wings this year. To mark the anniversary, the label head is celebrating...
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Cover Features
Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...
Features
The latest and greatest DJs and producers rising to the top this month. From rollicking tech-house, fierce techno and melodic grooves to leftfield experimentalism and jazz, here's...
NASSER BAKER
California-born, New Jersey-based Nasser Baker has been under the tutelage of US house legend Dennis Ferrer for almost a decade. That is a...
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
DJ Mag talks to Dave about the track series that propelled him to stardom...
We’re outside the Dylan Hotel in Amsterdam, the night after Dave Clarke’s sell-out ADE party. Your DJ Mag hack is somewhat the worse for wear...
Features
Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.
Features
Progressive house champion Cristoph shows us round his Newcastle haunts, and tells us how his friends and family, and the patronage of Eric Prydz, have...