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Results for: Positiva Records

DJ Mag trips out to the Lebanese capital, Beirut, to find out how the club scene has persevered and flourished despite years of unrest in...

When DJ Mag first mentions to our nearest and dearest that we’re headed off to Beirut, the majority of responses are that of concern. Lebanon...

Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks have been released...

During the 1980s, renowned photographer, broadcaster and DJ Normski was immersed in London’s hip-hop culture, his lense capturing a critical moment before the genre went...

Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...

In 2017, during his 21st rotation around the sun, DJ Lag was experiencing a moment that every artist dreams of but few ever reach. Gqom...

Alok performing against a purple background

DJ Mag spends some time with the Brazilian DJ sensation while he’s over in London for a show at Ministry Of Sound, and learns about his journey from hardships to huge success — and how being in a plane crash changed his perspective on life for the better

Purple and pink hues stretch across the London skyline as the first stars tattoo themselves above the landscape. Outside the Ritzy cinema in Brixton, South...

A press shot of Flume in a striped jumper, holding a bunch of white flowers against an orange backdrop

Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story

Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Harley Edward Streten, on...

For recording mixes at home, learning to DJ, live streaming or scratching the itch of playing your favourite tunes back to back, affordable controllers have...

Buying your first controller can be overwhelming. Not only is there an endless amount of choice, many of which look almost identical to each other...

As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves

“The expectations on musicians are higher than they’ve ever been,” says Chris Clark. “And the payoff is lower than it’s ever been.”The producer and composer...

We love Amsterdam, especially when essential industry conference ADE — the 20-year-old Amsterdam Dance Event — and our mega-enormo Top 100 DJs party are taking...

Whether industry hack, diehard dance fan or something in between, there's little doubt that Amsterdam Dance Event is a must-do. Kicking off every October in...

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

DJing around the world, working on your debut album for Ninja Tune, and completing a Masters degree would be hard work for most people —...

A defining moment for Jayda G came in 2017, with her Boiler Room set during Amsterdam’s Dekmantel Festival. She gave a sweaty, euphoric performance that...

Double O and Mantra stand side by side on a dark, green-light background, Mantra's arm on Dubz shoulder

More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom

It’s early April and nearing 8am at East London nightclub, FOLD. The spirited vocal of DJ Vibes & Wishdokta’s ‘Midsummer Mist’ is cutting its way...

With three decades as one of house’s biggest names under his belt, Roger Sanchez has seemingly lost none of his enthusiasm for the music that...

On a recent humid evening in Brooklyn, on the rooftop of the Bushwick club Elsewhere, a few hundred revelers let out a collective ‘whoop’ as...

The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...

Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...

A shot from AUDRA festival in Kaunas featuring Caterina Barbieri's synth performance in a tower-like hall

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

Pergalė is a sprawling industrial complex in a forgotten corner of central Kaunas, Lithuania’s modest-sized second city. A gated entrance obscures interior yards from view...

Daft Punk is dead, long live Daft Punk: the limits of a brand beyond the band

Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in

Daft Punk died twice. On 9th September 1999, according to legend, a studio accident killed off the real-life Thomas Bangalter and Guy-Manuel de Homem-Christo, leaving...