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Results for: Power of Production

Across South-East Asia, a new generation of rappers is emerging. Drawing on the explosion of US trap and contemporary hip-hop sonics, and creating new flows...

Indonesian rapper and producer Ramengvrl makes trap music with a twist. Her skeletal beats feel alive, somehow: squishing, chiming, and bouncing around, as her staccato...

The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...

Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

The low spring sun is struggling to make a difference as the staggered city peaks of Central London interrupt its pale light. We’re at 180...

Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...

In 2017, during his 21st rotation around the sun, DJ Lag was experiencing a moment that every artist dreams of but few ever reach. Gqom...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

Green Valley in Brazil experienced a double disaster last year. First came the COVID-19 pandemic, then the venue itself was destroyed in June by a...

At the start of 2020, everything was looking great for Green Valley. The Brazilian venue, which is more like a festival experience, had been voted...

DJ Mag spends an evening with veteran house producer and maverick DJ Kerri Chandler. The force behind labels Madhouse, MadTech and Kaoz Theory’s home studio is bursting...

The lower floor of Kerri Chandler’s house looks like the backstage production labyrinth of a massive arena. Hallway after hallway, shelf after shelf, room after room, there are stacks...

Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...

There are points in an artist’s career where they feel on top of the world. Moments when the years of hard graft at the unforgiving...

A press shot of Flume in a striped jumper, holding a bunch of white flowers against an orange backdrop

Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story

Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Harley Edward Streten, on...

Kerri Chandler DJing live

For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet

“Sorry, it’s a little dark in here. I usually have club lighting on down here, like with rotating heads and stuff,” Kerri Chandler says, with...

TYGAPAW: music for the revolution

TYGAPAW makes music with a message of liberation, and of working toward a world where everyone is free to be true to themselves. It also happens to be music that slams. Bruce Tantum meets the Brooklyn-based artist to learn about their long journey to get to where they are now, and the road ahead

There’s a documentary called Underplayed, released in 2020, that focuses on gender, ethnic, and sexual equality issues within the electronic music world as seen “through...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

He's working with Mos Def and nu skool Detroit cat Kyle Hall, amongst others, and funkin’ floors everywhere...

For years, Steven Julien, aka FunkinEven, didn’t think the music he was making was good enough to release. Then he met Sam Shepherd, aka Floating Points...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...

Yen Sung posing in an indoor archway of an emtpy club. A disco ball hangs behind her

For three decades, Yen Sung has been at the beating heart of Lisbon’s club scene. As a longstanding resident at Lux and its downtown predecessor Frágil, and as a producer of timeless house tracks, she’s rightly earned her legendary in Portuguese dance music. But as April Clare Welsh learns, she’s busier and more energised than she’s ever been. Alongside a thumping On Cue mix of pure dancefloor energy, she shares her story

Yen Sung was right down the front when Prince performed a one-off show at Lisbon’s Lux Frágil club in December 1998. “It was amazing. Especially...