On the surface, the good news keeps coming for vinyl. Every year, new numbers are released showing the format’s strength and resilience continues. In fact...
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<p>It’s a good job Italian DJ/producer Riva Starr loves his job...</p>
The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...
Dimitri Vegas & Like Mike are the Belgian DJ/production sibling duo everyone is talking about. DJ Mag grabs a chat with them ahead of their...
American DJs love doing a bit of it. The Dutch are always at it. Danny Tenaglia’s been known to have a go. And lately, if...
Funk-dripped drum & bass head plays us his most inspiring tracks
Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.
Manufacturing delays and other issues continue to put a strain on small and independent labels. Taiwanese press plant Mobineko has unveiled a new pressing machine specifically for short runs, aiming to reduce the global bottleneck for vinyl production. Declan McGlynn speaks to Josh Doherty about the problems facing vinyl today, how the new machine works and what impact it could have on the future of vinyl
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Ukraine’s Nastia could be techno’s most outspoken DJ — a world famous artist who matches her razor-sharp skills behind the decks with an honesty on...
When DJ Mag meets Nastia in the lobby of her upscale Berlin hotel one rainy winter’s afternoon, she doesn’t smile, and almost looks a little...
DJ Mag’s annual Best of North American Awards poll gives our readers the opportunity to show their love to their favorite DJs, producers, labels, clubs...
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound
33 years after its release in 1989, Larry Heard’s debut album as Mr. Fingers is a profoundly moving document of timeless electronic music, brimming with tracks of unrivaled beauty from the then-young world of house
Drum & bass futurists Blocks & Escher promised an album four years ago through Goldie’s Metalheadz label. Now it’s finally arrived, but what caused the...
Bust ups. Car park fist fights. Prison sentences. Vicious acrimonious splits resulting in major High Court settlements. Six-day self-finding mushroom binges in the Highlands. Tabloid...
DJ Mag talks his new LP as Deadstock 33s & scores a first listen.
Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...
We catch up Fatima to talk about the theme behind the album, her musical roots, and more...
Fatima Al Qadiri is as difficult to classify as her vast productions. She could simultaneously be deemed a visual artist, academic instigator, journalist (as a...