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When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story

Post-pandemic, as UK clubs have attempted to regroup, they’ve been impacted by soaring energy bills, rising costs and hesitant ticket buyers. Jack Ramage talks to club owners and promoters about how they’re weathering the storm, and asks what can be done to ameliorate the situation?

An iconic 1970s soundsystem lives on inside a Coney Island attraction. Vivian Host catches up with sound engineer Dan Prosseda about the magical speaker stacks of the Eldorado Auto Skooter bumper cars

Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit

When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story

When starting out in the industry, musicians and producers have what can often seem like an insurmountable number of new skills to learn outside of making music. With seemingly countless distributors offering widely varying features and products, choosing how to get your music on streaming services can be confusing. This guide seeks to demystify one of the most confusing aspects of releasing music

London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live

Throughout the ’90s, the DiY Sound System put on countless free events, ran a recording studio and two record labels, and took their hedonistic parties around the world. Here, Harold Heath speaks to co-founder Harry Harrison about his new book, Dreaming in Yellow: The Story of the DiY Sound System, and the collective's trailblazing legacy in the free party movement