When Tom and Ed Russell moved into their studio in 2018, they felt the weight of UK dance music history. Housed in the deep south-eastern...
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You cannot beat a classic! Especially if played by a live orchestra...
It’s music that stirs the soul, brings a lump to the throat and a tremble to even the stiffest upper lip. For a whole generation...
His anthemic tracks for Innervisions, Life and Death and his own BOSO label dominated club sets in 2014, and even made the UK Top 10...
“I'm a straight guy,” says Ten Walls, aka Lithuanian producer Marijus Adomaitis, also known as Mario Basanov, as he fixes his gaze directly across the...
Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...
When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
Amon Tobin's evolved "Two Fingers" project
Amon Tobin started out experimenting with a double cassette player and ended up piloting the world's most mind-blowing live show.
Dubstep figurehead Skream has gone euphoric, smashed the templates, and upped the tempos. His new album ‘Outside The Box’ confirms he’s not content to be...
Remember a few years back? All that hoo-ha about nu-rave? Which sounded so promising but proved to be nothing more than a few indie kids...
After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves
With his new album, ‘Fragments’, on Ninja Tune, English electronic musician and DJ Bonobo has delivered his strongest, most versatile album since 2010's 'Black Sands'...
2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...
Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...
Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...
If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...
On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books
Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever