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Rupert Parkes’ razor-sharp 1997 debut remains one of the crowning achievements of drum & bass. DJ Mag explores how this groundbreaking album used intricate programming...

For the last two decades, many drum & bass producers have been obsessed with being the loudest. But for a brief, glorious moment in the...

With clubs and festivals back in full swing in the UK, DJ Mag speaks to a range of club-goers, from DJs and bar staff to...

When clubs in England first reopened on 19th July after over a year of lockdowns, social distancing and isolation, thousands flocked to dancefloors across the...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...

Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...

In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Cheeky bubblers incoming...

Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...

Loco Dice talks new album and more...

Loco Dice is heading to Brooklyn. In Manhattan for the listening party for his latest LP, ‘Underground Sound Suicide’, we catch him in a...

A resourceful Brit, Damian Lazarus has helped bring through many of today’s major talents and has been creating his own unique brand of cosmic electronic...

 Words: Stephen Flynn

When it comes to electronic music, few of those in the contemporary domain can hold a candle to Damian Lazarus. Having caught...

DJ Mag talks to Sam and Alessio about the pros and cons of not fitting in, how EDM has changed the musical landscape, and their...

As electro noiseniks Crystal Castles recently proved, a band’s life rarely ends well. Whether through in-fighting, complacency or just diminishing public enthusiasm, the end result...

DJ Mag spends an action-packed weekend with Len Faki...

“There he is – Len Faki! It's time to go to the stage!” exclaims one of the harried stage managers around me. It's a beautiful...

"Smoke weed every day."

You’ve got to give it to them – Das Racist are like nothing else out there.

The Brooklyn-rooted hip-hop duo first hit the scene a...

Photo of Frank & Tony sitting at a table outside a red cafe

Out of club music’s modern-day practitioners, few go deeper than Francis Harris and Anthony Collins. Producing under the Frank & Tony banner, working in the grand tradition of the sound’s pioneers, the duo has just released ‘Ethos’, their first long-player since 2014’s ‘You Go Girl’. Here, they speak to Bruce Tantum about their creative partnership, the uniting power of the house groove, and melancholic beauty of everyday life

The music of Francis Harris and Anthony Collins seems, on one level, to exist in a world of their own making. Working together as Frank...

Cakes Da Killa by Ebru Yildiz

Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’

In 2014, Cakes Da Killa’s uniquely sharp and agile club rap earned him an interview on New York’s premier hip-hop station, Hot 97. He never...

Plastikman album cover

Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork

When first encountering ‘Consumed,’ Richie Hawtin’s third studio album under the Plastikman name, a normal reaction might be like that of the prehistoric hominids in...

QRTR press shot

On her new album, ‘infina ad nausea’, Brooklyn's QRTR blends multi-layered melodies with club-ready beats, from house and techno to UKG and jungle. Ahead of her set at DJ Mag's Miami Pool Party this week, she chats to Ben Murphy about her distinctively trippy sound, her famous feline friend, ambientkitty, and the busy festival season ahead of her

“I feel very comfortable drawing from a lot of different influences, and don’t feel like I need to box myself into something necessarily,” says Meagan...