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It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...

In a period when the divide between the UK’s club scene and indie kids was as wide as it was bitter, Saint Etienne managed to...

Street-hop is a sound from Lagos, Nigeria that mutates as it moves between different neighbourhoods; creating new beats, themes and dance crazes as it goes...

Lagos is a city that never sleeps. Home to roughly 15 million people, the coastal megacity and economic capital of Nigeria is always on the...

Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...

We’re driving through Faversham, an unassuming Kent market town, with Jas Shaw, who’s telling us about the first visit he and his partner Jess made...

The UK drum & bass scene has become overwhelmingly male and white. DJ Mag's Becca Inglis speaks to artists, promoters and label owners who are...

The push to close the “gender play gap” has accelerated this summer. At least 190 festivals have committed to booking 50/50 gender split line–ups by...

Photo of DESIREE wearing a purple hat and eye-makeup on an emerald background

Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come

“I’m finally home.” Those three words are among the first that the South African DJ and producer Palesa Desiree Shilabje utters when DJ Mag catches...

After the recent tragic deaths of two people at Mutiny Festival in Portsmouth, the issue of drug safety testing has been thrust into the spotlight...

The whole point about harm minimisation is admitting that people are always going to take drugs, whatever anyone in authority says or does — so...

The dance scene owes much to gay culture...

 

Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

Our world can sometimes feel like it’s closing in on us — political attitudes diverging into ideological extremes, we’re pummeled with tailored ads for things...

"Smoke weed every day."

You’ve got to give it to them – Das Racist are like nothing else out there.

The Brooklyn-rooted hip-hop duo first hit the scene a...

The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...

Even if you’ve never consciously set out to listen to ‘What They Say’ by Maya Jane Coles, you’ve almost certainly heard it before. Over the...

After reflecting on how we can tackle the issues within the electronic music industry as a publication, we deliver our pledge to you, presenting significant...

Read our latest update here. Since DJ Mag was founded in 1991, we’ve been devoted to covering dance music culture: first as a magazine, later...

After a six year hiatus, TNGHT are back. DJ Mag speaks to Hudson Mohawke and Lunice about creative freedom, EDM, and barking in the studio 

No vowels, no features, no frills, no nonsense — and for six years, no music, either. Nobody could accuse TNGHT of overdoing it. Their second...

Gomma Records’ boss Munk has hooked up with some of the world’s hottest underground female vocalists for his new production album. DJmag finds out more...

“I like my jeans to be dirty and I like my music to be dirty too,” says Munk, aka Mathais Modica, co-owner of experimental dance...

Deep, down and dirty at Worthy Farm’s sexy psychedelic playground...

This month, one of the world’s wildest clubbing spaces opens its doors again — for one long weekend only. The temporary queer autonomous zone that...