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Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

Infusing his art with aspects of his Caribbean heritage, and stories and messages aimed to drive political and social change, London rapper KAM-BU is a...

In the contemporary hip-hop sphere — and indeed across time — a lot of rappers build their careers off hyperbolised narratives and cosplaying. In the...

There’s been an explosion of tools for extracting stems in recent years. DJ Mag’s digital tech editor Declan McGlynn outlines five of the best below

After being the holy grail for producers and DJs for decades, over the past few years, it’s become easier than ever to separate stems from...

Twenty years after it first lit up dancefloors around the world, Rui Da Silva and Cassandra Fox's No. 1 hit ‘Touch Me’ is transcending generations...

The UK chart’s first No. 1 single of 1981 was the saccharine ‘There’s No One Quite Like Grandma’; in 1991, it was Iron Maiden’s turbo-charged...

As live streams dominate our feed, we outline five ways to stand out from the crowd

Vinyl is back, but the format comes with a serious environmental cost. As the dance music world attempts to go greener, some companies are working out ways...

From the travelling of punters and touring artists, to the plastic consumption in nightclubs and festivals, all the way to the production of equipment and...

ESG logo

When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story

One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...

How is the cost-of-living crisis hitting UK nightlife?

Post-pandemic, as UK clubs have attempted to regroup, they’ve been impacted by soaring energy bills, rising costs and hesitant ticket buyers. Jack Ramage talks to club owners and promoters about how they’re weathering the storm, and asks what can be done to ameliorate the situation?

“It’s terrifying... I wake up every day and hope that we find a way to keep going,” Kate Hodgkinson, co-founder of Cobalt Studios, an independent...

Stihia Festival Feruz Rustamov

Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development

In the desert in a remote corner of Uzbekistan, where rain is infrequent and water is scarce, an unexpected and ferocious downpour is unfolding. It’s...

Danger Mouse & Black Thought: cheating the system

Although it features guests like A$AP Rocky, Run The Jewels and Raekwon, the best moments on Danger Mouse and The Roots legend Black Thought's new LP are in its filmic rhymes, woozy psychedelic loops, soul snippets and jazz and blues rhythms. Here, Ben Murphy speaks to them about their long-awaited collaboration

Hip-hop is ingrained in the work of American musician and producer Danger Mouse. Though he’s made records with Beck, Karen O, Gorillaz, Michael Kiwanuka, Adele...

Conversations around automation and DJing are tried-and-tested comment triggers — the ubiquity of the tedious ‘press play’ criticisms and ‘sync button’ debate attest to that. But...

In part two of this series, we explored the impact of AI in the studio, with assisted mixing tools from iZotope, right up to full-on...

Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...

If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...

Bowie, Prince, Space, Trump: We look back at an eventful year – to put it mildly – through the prism of the electronic dance music...

For better or worse, 2016 has been a whirlwind year.

The world seems to have crammed about a decade’s worth of news into a mere...

Buzzin' hardcore classic 'Bus It' by Blapps Posse was a riotous, sampladelic mish-mash of hip-house and rave. DJ Mag talks to its key originators, Aston...

DJ Mag's tunes of the year

2014 was the year house heads reignited their love for melody. While shufflers continued to go wild for garage, a new generation have reared their...