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‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, They Hate Change spotlight deep Florida breaks and bass, Gulf Coast gold, jam bands, indie, dub and more

Norwich-based DJ and Gonzo's Two Room resident Effy Mai drops a decades-spanning mix of electro, chuggy bangers and abstract club tracks for the Fresh Kicks series, and chats to Amy Fielding about Gonzo's' sense of community, early gig nightmares and her first set of Technic 1210s

When news broke about SOPHIE's tragic passing in January 2021, the music world was stunned. A visionary artist who released on Hutleys + Palmers, Numbers and PC Music, and worked with stars such as Charli XCX and Madonna, at 34, it felt like SOPHIE was just getting started. Anna Cafolla, who wrote DJ Mag’s cover story on SOPHIE in July 2019, pays tribute to the unique artist’s authenticity and artifice