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Results for: Roll Deep

During the pandemic, music tech thrived as the wider music industry fell to its knees. Declan McGlynn explores the possibilities and implications that stemmed the...

2020’s unprecedented upheaval brought with it fundamental changes to the creative industries. Theatres, clubs, studios, venues and festivals all closed their doors and with it...

UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...

It starts with a cymbal crash, a bumpy house beat and a prominent, punchy snare. There’s a gnarly, low synth stab that plays a simple...

As the conversation about how artists can best navigate the streaming economy develops, many musicians and labels are moving towards more independent platforms, selling their...

Fatalism about the music industry comes easily. News of nightclubs, DIY venues, and independent labels closing is commonplace, and streaming platforms are arguing in court...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...

Photo of ANOTR floating in air against a sunset background while reading DJ Mag’s March cover issue

Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do

ANOTR are all about emotions. Enhancing them, recalling them, changing them, understanding them. Everything the Dutch duo do is intentional, produced to share how they’re...

ADE header

Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer

While ADE did go ahead in a scaled-down fashion at the end of 2021, it’s widely agreed by delegates at this year’s event that 2022...

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...

Jennifer Lee climbs up a set of stairs at Mack Sennett Studios in between a number of elaborate costume changes, during an all-day photo shoot...

Press shot of ODESZA

During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’

Every human on Earth possesses a history. The version of you who lived yesterday informed the one who breathes today, and the one to emerge...

history-of-bassline

From its beginnings in Yorkshire clubs to becoming a nationwide dance music phenomenon and chart success, the bassline sound has survived and thrived, despite the efforts of the police and club licensing authorities. Matt Anniss charts its rise, fall, resurgence and influence on a new generation of DJs, producers and ravers

A quarter of a century ago, a record slipped out on Rumour Records that would change the course of UK dance music history. Created by...

Throughout the pandemic, grassroots activists and nightlife representatives have worked tirelessly to create a more sustainable, accessible and protected environment for dance music. DJ Mag...

Bristol has had an advisory night-time panel since 2018, where nightclubs meet with people from licensing, planning and musician’s unions. It’s one thing to have...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...

Streaming is everywhere. Earlier this year, Spotify announced that it has 217 million users, more than 100 million of which are paid subscribers. They’re followed...

Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...

Eighteen months ago, some of Avalon Emerson’s wishes came true. The first was for 2020 to be “the year of prioritising sleep”, during which she...

With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...

In 2014, Matt Sullivan, founder of Light In The Attic Records, travelled to Canada on a wild goose chase. He was searching for Lewis, real...