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Andy C explains how he's always kept the faith with drum & bass...

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

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Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

DVS1 is a true icon. He may have reached the top of the techno tree by a somewhat circuitous route — involving time spent in...

As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...

Italo disco’s eternal evolution

Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound

It now sounds like a DJ mix of the most widely-known Italo disco classics, but when it was released in 1999, I-F’s ‘Mixed Up In...

The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...

Nilaari (meaning self-worth or value) is a Black, Asian and Minority Ethnic (BAME) community-based charity, delivering culturally appropriate counselling, social care support, advice and advocacy...

Windrush ship

Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene

This feature was originally published in 2018, at the height of the Windrush scandal, and on the 70th anniversary of the Windrush ship's arrival in...

Images from Ibiza

In the '90s, there was nowhere to party like Ibiza , and there was nowhere wilder in Ibiza than Manumission. The hedonistic, sex-fueled party took place in some of The White Isle's most famous clubs, as well as its own Motel venue, with punters and DJs alike frequently spending days on end revelling in its debauched atmosphere. A new book written by its co-founder Claire Davies captures Manumission's ecstatic spirit. Here, Simon Doherty speaks to her about some of her favourite images from that time

In the 1990s, Manumission was the wildest party in Ibiza. First held at Coco Loco Bar, the gay epicentre of KU club — which later...

A new initiative, started by the founder of Love Parade, aims to have Berlin's techno scene recognised as a cultural practice, supported and preserved by...

It’s a grey, wet Tuesday morning in Berlin, and inside an unassuming building in Wedding, a fourth-floor apartment is buzzing with activity. It’s the home...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

DJ Mag attempts to find out just why he's so popular...

Mladen Solomun is a big chap. A big, bearded Balkan bombshell with a penchant for mashing up epic strings and sprawling synth-scapes with the odd...

The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021

Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...

The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...

Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...

One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...

By the early ’90s, dance music in the UK was already a complex beast. US house and techno cross-pollinated with synth-pop, rare groove and soundsystem...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...