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Fresh Kicks 142: Bored Lord

From frenetic breaks and jungle to percussive club cuts and pop edits, Bored Lord’s Fresh Kicks mix is an electrified trip into her communal sonic...

With over 50 cuts of exemplary UK rap, drill and grime, producer and Croydon FM resident Nammy Wams steps up for the Fresh Kicks mix...

Combining the creative futurism of techno with the melodic buzz of disco, Inner City laid the template for upbeat dance music albums

That Detroit gave Motown to the world, two decades before it birthed techno, is a historical fact that if not exactly ignored by electronic music...

Coyu might be best known for techno and house, but as his debut album confirms, he won’t be pigeonholed

Seven years after breaking ground on his debut album, Spanish producer and DJ Coyu has finally unveiled his latest LP ‘You Don’t Know,’ which showcases...

If you’re telling people to “keep politics out of music”, you’re missing the point. Here, DJ Mag’s Harold Heath explains why politics are an integral...

Cómeme's Ana Helder steps up with a jaunty, irresistible 60 minutes of house power for our Podcast series. Jumping from jubilant percussion to gritty acid...

Ana Helder is at the core of the Cómeme family. Since making her debut on the label in 2011 with her ‘El Groove De Tu...

Vancouver's Minimal Violence step up with an incendiary mix of supercharged electro, techno and breaks to mark the release of their new EP on Ninja...

Minimal Violence is a punk band. Sort of. Born from Vancouver’s underground punk community out of an eagerness to mix records as well as play...

From career triumphs to personal tragedies, his time has truly come

Mr G has led a tempestuous life with as many career triumphs as personal tragedies. From his roots in early UK housers KCC to techno years with The Advent, he's been an intrinsic link in dance music's evolution. And after all the tribulations, with a career retrospective for Rekids and more popularity than ever, it could be his time has truly come...

Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...

In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...

German DJ and musician Lena Willikens is proud to be an outsider, and her leftfield approach to dance music, art and noise resonates with followers...

Lena Willikens has always been an outsider. Born in the south-west German city of Stuttgart to a Hungarian architect mother and an artist father, formative...

DJ Mag talks his new LP as Deadstock 33s & scores a first listen. 

Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...

We chat Bicep in light of their We Love Space CD

Bicep boys, Matt McBriar and Andy Ferguson, are childhood friends from Belfast and went to the same school through their teenage years before taking the leap to different universities. They recently mixed the DJ Mag covermount. Out now.

Collage of various images from panels and parties at ADE 2023

Amsterdam Dance Event returned earlier this month, with the world’s biggest electronic music conference delivering its usual, unrelenting whirlwind of parties, panels and so much more. Here’s a handful of highlights from DJ Mag’s week at ADE 2023

DJ Mag’s involvement with the ADE Lab — the conference’s four-day tech-focused programme that takes place in and around the Flemish Cultural Center de Brakke...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...