“Imagine a blood-covered rose, and take a black and white photo of it. That’s it, that’s my music,” explains IMANU backstage at his 2023 headline...
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Results for: Shifted
The German producer reflects on his plight to becoming the in-demand DJ he is today and the importance of keeping true to what he most...
“Actually, this is one of my most productive years so far.” Thomas Gold smiles broadly into the camera, his face framed by simple, black-rimmed...
In the star wars of techno, Seth Troxler has proven himself the master more than once.
Last time DJ Mag caught up with Seth Troxler in an official capacity, it was around the pool at our 2010 party in Miami. Then...
An in-depth talk with the Hyperdub main man about his new album with Spaceape, 'Black Sun'...
With their new album ‘Black Sun’, Hyperdub’s Kode9 & the Spaceape have left tired genre pigeonholes behind, switched up their sound and conjured a bright...
Features
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound
Features
A vital document of music in 2002, ‘As Heard...’s headline-grabbing mixes of well-known tracks helped sneak a handful of underground dance classics into more than...
Prolific UK DJ and producer Mani Festo records a thunderous two-hour mix of rave futurism and hardcore nostalgia for the Recognise series, and speaks to...
Features
Producer of soul greats, maker of classic house records, ordained Yoruba priest and avid live streamer, Osunlade has lived a remarkable life so far. He tells Ria Hylton how remaining independent has been vital to his creativity and career
Features
Despite being largely ignored by the west, Moscow has had a rich bass scene for over a decade. After reaching an impasse in 2015 as...
Features
The latest and greatest DJs and producers rising to the top this month. From experimental R&B and sample-laden house to ferocious, fiery techno here's February...
(LIV).E
(Liv).e — pronounced “Liv” — has an otherworldly sound. The vocalist and producer hails from Dallas, Texas, and combines gospel spirituality with blurry synth-work...
DJ Mag USA speaks with the SCI+TEC label boss, and sound/live show innovator, Dubfire...
It’s 10am in Tokyo. The witching hour for most DJs who would probably be asleep at this time, tangled in a mix of hotel...
We hook up with the Dutch teenage hotshot ahead of an appearance at Ultra in Miami...
Across the world right now are thousands of 17-year-old kids dreaming of making it big in the gold rush days of EDM, dance music's biggest...
The dance scene owes much to gay culture...
Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...
Features
The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today