“It’s this intersection between the machine and the human being,” says Casper Mejlholm, co-founder of Mechatronica, on the atmosphere and ethos behind the label. “It’s...
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With its grimy cyberpunk aesthetic, Berlin label Mechatronica's innovative electro releases have found fans in the likes of DJ Stingray 313 and Helena Hauff. Alongside a mix from its catalogue, co-founder Casper Mejlholm tells Ben Murphy how experimentation and rule-breaking are at the heart of its success
Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece
These are the DJs set to battle it out in Vienna
Following incredible NYDJAY events in some of Europe's hottest clubs, it is time for the NYDJAY by NEW YORKER Grand Finale, which takes place at...
Long-time disco and house producer and DJ Moon Boots recently revamped his tour to incorporate a full live show. We go behind the scenes...
East London’s Jeshi documents personal struggles, social contradictions and life’s day-to-day mundanities with a wry wit and relatable appeal. For this month’s Meet the MC, Rahel Aklilu speaks to him about the observational songwriting of his debut album, ‘Universal Credit’
With a carefully curated line-up of adventurous electronic music, Semibreve Festival’s 12th edition delights in the interplay between hyper-detailed electronics and dancefloor-focused beats
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Prolific UK DJ and producer Mani Festo records a thunderous two-hour mix of rave futurism and hardcore nostalgia for the Recognise series, and speaks to...
Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity
Sheffield's Cabaret Voltaire were way, way ahead of their time.
Neil Kulkarni talks to founder Richard H Kirk about apathy, necessity and house music...
Apple's new M1 chip has promised a lot with some eyebrow-raising early performance reviews. But how does it fare for the DJ / producer? DJ...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
With a range of sounds encompassing slo-mo house, gothic EBM, Italo disco and more, and an equally unrestrained art direction, Freeride Millenium is a no-holds-barred expression of love between its founders Jorkes and Daniel Rajcsanyi, aka ParisBöhm, and the queer community they aim to uplift. Alongside a mix of tracks from its catalogue, they share the label’s story
San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection
When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story