It’s fitting that DJ Mag meets acid house original, world-class DJ, UK techno trailblazer, mix-CD pioneer and vinyl-devotee Billy Nasty in his record shop The...
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We meet the Indian DJ causing a riot...
The fortunes of Niles Hollowell-Dhar, aka KSHMR (pronounced ‘Kashmir’), have skyrocketed since he adopted his chosen moniker, with a nod to his Indian heritage. The...
From coast-to-coast we have you covered...
Let’s face it, holiday events can be a bit, blah – whether it’s a boring round at a minimally-decorated office with your co-worker’s cringe-worthy drunkenness...
Secret Solstice festival sweeps us across Reykjavík and into Iceland’s wilderness on a groovy trip of unimaginable extremes...
“HOLY GOD, IT’S FREEZING!” We aren’t sure who screams that line. Could be us. Most probably is. But regardless of whose mouth utters the...
Dedicated to his parents and featuring many d&b friends, it's a family affair...
“In Brazil, we have a lot of passion,” urges DJ Marky, via a Skype call from his South American homeland. The veteran DJ is...
UK producer Will Holland shot to fame as Quantic with a blend of lush electronic beats and fiery Afrobeat rhythms. Then a trip to Colombia...
After years making live funk, reggae and cumbia influenced by his experience there, he's returned to the Quantic moniker and to the world of electronic...
DJ Die on Gutterfunk, Clear Skyz and mixing Chic with DJ Hazard
DJ Mag chat to Bristol bass head DJ Die
Chicago trio on their b2b2b tour
Three of Chicago's most respected DJs, they're repping real house music harder than ever in an age of commercialisation and corporate EDM. Touring together as Back to Back to Back, we thought it was time to pick their brains about their Chicago beginnings, the switch to digital, the US dance boom — and where they're at now...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”
New album and live dates from the Mancunian post-punkers
Formed in 1979 from the ashes of punk, and named after a Brian Eno lyric, A Certain Ratio’s influential blend of punk, funk, disco...
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
Features
A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing
Features
On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books
Features
The latest and greatest DJs and producers rising to the top this month. From rowdy breaks and dreamy deep house to ambient electro and otherworldly techno, here’s April 2024’s list of upcoming talent you should be keeping track of
Features
We run through some of the finest parties on offer during Miami Music Week 2024
Features
Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”