This year marked the 13th edition of DJ Mag's Best Of British awards, our annual celebration of UK talent. Positioned as a counter-balance to the...
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We catch up to find out all about his new project...
Carl Craig, one of the most important artists in techno, has been working with an orchestra to breathe new life into some of his back...
We shine a light on the names destined to have it large this year...
Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...
Features
The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
Cover Features
Under the name Maceo Plex, Cuban-American DJ/producer and label founder Eric Estornel is among the biggest players in electronic music. So why has he resurrected...
When Eric Estornel, now best known as techno titan Maceo Plex, was just three- years-old, things in his native Miami started to change. From April...
She’s the Paris-based New Yorker who’s overcome the struggle of addiction and dance music industry tokenism to forge her own path. Louisa Pillott, aka LOUISAHHH...
"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...
The Paris-based, NYC-born DJ/producer fronts this month's issue...
"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...
Features
The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...
Features
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
Features
DJ Mag visits French producer Madeon in his LA home to learn about his meticulous process, and why he’s happiest when he’s working
Features
Ever since the revelations in Hollywood about film producer Harvey Weinstein, and the subsequent #MeToo stories of sexual misconduct, the dance music world has been...
THE DJ
“To be honest, it’s easier to come up with a time something sexist DIDN’T happen. There are so many instances I don’t know...
Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...
When is a band not a band? We aim to find out...
When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...
Cover Features
TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today