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Results for: Stones Throw

Red and turquoise graphic reading ‘Miami’ with a sunset

DJ Mag’s Miami Music Week pool party is taking place at the Sagamore Hotel on Wednesday (20th March), in association with Epic Pool Parties, and we’ve again pulled in a top-notch line-up for the festivities. Here we catch up with every artist playing at the party: ANOTR, AQUTIE, Chloé Caillet, Joseph Capriati, Louie Vega, and Ms. Mada

Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of...

We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...

This was the year many dance music scenes, industries and communities started to claw back everything that was lost in 2020. Elusive and secretive UK...

DJ Mag speaks to Young Urban Arts Foundation about their vital work using music and the arts to help young people from hard-to-reach areas

“I can never understand what someone can get out of hurting another with a word or an object / I never knew at a small...

Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...

There are points in an artist’s career where they feel on top of the world. Moments when the years of hard graft at the unforgiving...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

On the eve of a special performance, the trio join DJ Mag USA to discuss creation, serendipity and a little something called Group Therapy...

 

The artist’s green room in London’s Royal Albert Hall doesn’t quite match the scale of grandeur its main arena boasts. But for the talent...

Above & Beyond’s latest delivery is an acoustic gem fit for a queen

The artist’s green room in London’s Royal Albert Hall doesn’t quite match the scale of grandeur its main arena boasts. But for the talent fortunate...

Nick Douwma presents his vision with new album ‘Torus’

Although he may take his sweet time to churn out a full length, Nick Douwma - more commonly known as Sub Focus – certainly knows...

The aftermath

You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...

J Dilla press shot

J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact 

D is for Detroit. D is for Dilla. D is for ‘Donuts’, the legendary 31-track collection that James Dewitt Yancey — aka Jay Dee, aka...

Last year was an incredible year for party boys Solardo. Playing over 200 high-profile gigs, traversing the globe like a well-oiled machine, the Manc lads...

The Solardo boys are standing by the canal in Haggerston, east London. They’re dressed in sharp black suits and bowler hats, a far cry from...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

Castlemorton 1992: photographing the Illegal rave that changed UK dance music forever

2022 marks the 30th anniversary of the biggest and the most infamous illegal rave that ever took place: Castlemorton – a week-long, 20,000-person party deemed so anarchistic that it shook Middle England to its core. Here, photographer Alan Lodge tells his story of capturing a week changed UK dance music forever

It started on a particularly sunny bank holiday weekend, on the 22nd May 1992. A ramshackle convoy of vehicles, which served as the rag-tag homes...

Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...

“The albums are a trilogy,” says Illenium. “That was my idea, which makes me wonder what I’m going to do next, but I’m not worrying...