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Sebastian Bartz is on a mission to change the capital’s nightlife for the better. Early this year, he launched a new night, Inferno, at Dalston...

It may seem like one of the biggest cliché’s when it comes to event write-ups but for this year it is most definitely true when...

The MIDI controller market has no shortage of choices on offer at the moment. For every software title and style of DJing there seems to...

Paul Arnold is the founder of Fat! Records, and the infamous Chew The Fat parties that took London by storm over a decade ago —...

Some people give up drinking, others smoking on January 1st. DJ Mag starts the new year in the right way: with a daytime mash-up in...

It is fitting that Huxley has been made to wait for our coveted Best Producer award until this year. You could argue that the Tring...

Our annual Top 100 DJs parties at Marquee Las Vegas are the stuff of legend. And tonight the buzz outside Vegas’s original dance music super...

From life as a blog to grime's edgiest label, Butterz took a look back over three years of tearing up the rule book at Cable last month...

What can you expect from a house night in the Middle East? Ask anyone to comment or hazard a guess and their response is likely to involve a number of presumptions: undeniably commercial names, inaccessible hotel nightclubs, painfully overpriced drinks.

The battle of the budget controllers has really hotted up, with news from Pioneer of their latest controller to hit the market, the DDJ-WeGo. Fantastic news for anyone who is looking to buy such a controller at the moment.

It’s a New Year and an especially exciting time for many producers and musicians due to the release of the new versions of Cubase and Cubase Artist, which have now reached version 7.

Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.

Remember a time when Bristol wasn’t part of the Holy Grail with London and Berlin as a triumvirate of electronic cool? No, us neither, but that was the case around seven years ago, with the glowing embers of a once great d&b scene the only thing to really be keeping the city on the map at all.

To the uninitiated, Groove Armada's return to making underground house music might appear something of a change in direction. It is, of course, nothing of the sort. Andy Cato and Tom Findlay have found themselves, thanks to a solid decade of commercial success, stuffed clumsily into all manner of pigeon holes; from dance-pop to pop-dance to chill-out to stadium-dance to ragga-dance and any number of other sub genres you might care to mention.

We take a look at the next generation of music promotion