It’s a grey, wet Tuesday morning in Berlin, and inside an unassuming building in Wedding, a fourth-floor apartment is buzzing with activity. It’s the home...
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A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A new initiative, started by the founder of Love Parade, aims to have Berlin's techno scene recognised as a cultural practice, supported and preserved by...
Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...
Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...
Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew – a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and PRSPCT Recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, Harold Heath dives into their history, legacy and vow to 'Never Stop'
Starting life as a way of supporting the artists and labels impacted through the coronavirus pandemic, as well as releases supporting other causes and initiatives...
We met him in London to talk about his dance epiphany, the importance of staying true to your vision, and giving his fans what they...
“Everything I do, I see myself as a bit of an outsider, I'm not strictly within the dance music world, I'm not strictly within the...
With Miller Genuine Draft
Over the next few weeks we’ll be profiling the Miller SoundClash finalists; getting to know the DJs who will be flying to Las Vegas...
With a punk attitude, impressive live shows, and an ever-shifting psychedelic yet dancefloor-friendly sound, Red Axes have brought a breath of fresh air to the...
"When the sun is shining, life can be really dark,” says Dori Sadovnik, one half of Israeli gothic dance duo Red Axes. He’s talking about the...
Nottingham's rich musical heritage has always had a raw edge, from punk rock to acid and rap. That spirit lives on in a new generation...
The Drumcode boss lays it all out in a candid interview...
On the eve of Drumcode’s 20th anniversary, Adam Beyer sits down with DJ Mag to talk about his label, his family, and what’s possible...
Before headlining international festivals with his immense live techno sets, Reinier Zonneveld cut his teeth on the Dutch underground rave circuit. Megan Venzin catches up with the artist to learn about his approach to performance, and why his fans can always expect the unexpected
With an internet following consisting of more people than some small countries, trap duo Flosstradamus create an ultimate HDYNATION manifesto
The depths and channels of the world wide web are staggering, many of its areas have yet to even be truly dredged. For some, the...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Recognise is DJ Mag’s monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak to...
Determination and defiance burst from every beat of Lag’s output. As a producer, DJ and promoter, the Serbian upstart has become a vital fixture in...