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INTERVIEW: Sound designer releases debut album 'Human'

Max Cooper is one of the cleverest DJ/producers working in the industry today. He has a PhD in genetics, but has instead decided to make...

The Electro enigma Larry Tee gives us his Take 10

Growing up in Atlanta, Georgia, Lee started hanging out with drag queens like RuPaul and Lady Bunny in the '80s before a whole gaggle of...

Snake's alive!

Tensnake is going to be all over Ibiza this summer. DJ Mag Ibiza catches up with the ‘Coma Cat’ hit-maker…

Jon Carter and Alex Blanco discover that Akai's new APC40 Controller is the perfect bedfellow for Ableton Live

Midi controllers are two-a-penny these days, but every now and then something special comes along. The Akai APC40 — designed specifically with Ableton Live in...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2020

This is the third year we’ve presented the Alternative Top 100 DJs list in association with Beatport. The list is compiled by combining votes in...

Techno at Caprices Festival, Crans Montana, Switzerland...

There’s not much that isn’t clean about Switzerland, perhaps except for the graffiti. From our SWISS flights, to the Sierre-bound SBB railway journey (for information...

The FUSE main man tells us about the tracks that helped shape the DJ he is today

 

It's a massive thumbs-up for our new-look Tech Awards at this year's BPM show at Donington Park

Our new-look Tech Awards at this year's BPM show were an instant hit with curious tech-heads, manufacturers and our expert panel of judges as top...

John Graham spills the beans

John Graham is a dance music lover, full stop. With production alias Quivver, and his arsenal of alter egos (Skanna, Space Manoeuvres, Stoneproof, and Tilt)...

Vintage Culture press shot in a yellow jacket

Vintage Culture has come a long way from a small town in Brazil to playing stadiums, topping dance charts and partying with football royalty. After suffering near-burnout from constant touring, he’s recharged and full of vitality, with a deeper sound he loves with all his heart, hundreds of tunes ready to go, Ibiza and Las Vegas residencies scheduled, and a set lined up at DJ Mag's Miami Pool Party

Lukas Ruiz grew up in Mundo Novo, a tiny municipality with under 20,000 inhabitants, right on Brazil’s border with Paraguay. His mum had always told...

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RUN DMT rewires the sound of US bass

RUN DMT, aka bass music DJ/producer John Robbins, speaks to DJ Mag USA the week he's due to perform at Electric Daisy Carnival, Chicago. Preparing himself for a very busy year, his genre blurring productions, which take in trap, dubstep, and drumstep, have been released by tastemakers such as Play Me Records, Heavy Artillery, Dim Mak and Mad Decent.

We want new material

Kraftwerk’s nostalgia trick

We interview Maxxi Soundsystem on his 'best year' yet.

It's been the 'best year' of his life and Maxxi Soundsystem has certainly brought joy to many others along the way via tours around world and plenty of high profile releases.