Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...
Search
Results for: Trade
When it comes to San Proper, eccentric doesn’t quite cover it. Rush Hour’s most madcap selector, he’s known for raw, genre-defying productions, unpredictable sets and...
"Hello and welcome to Amsterdam. This is Dr. Professor San Proper. This is my home and I was born here in 1977." Somewhere in the...
Features
Sheffield's Cabaret Voltaire were way, way ahead of their time.
Neil Kulkarni talks to founder Richard H Kirk about apathy, necessity and house music...
Features
Manni Dee channels the industrial techno experimentalism of his new Perc Trax LP in his high-octane On Cue mix, and speaks to Niamh O’Connor about...
Features
Cómeme's Ana Helder steps up with a jaunty, irresistible 60 minutes of house power for our Podcast series. Jumping from jubilant percussion to gritty acid...
Ana Helder is at the core of the Cómeme family. Since making her debut on the label in 2011 with her ‘El Groove De Tu...
Features
As exam boards start to include DJing as part of their music GCSE, DJ Mag sent some legends of the artform back to school, and put...
Late for the school bus, boring assembly, double maths, a quick gossip or kickabout at lunch — followed by a music lesson playing banging techno...
Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Features
COVID-19 has rapidly impacted the music industry — leaving thousands out of work. The government dumbfounded many when it was suggested that those from an...
Counting down the best of DJ 'WTF' moments in 2014
2014: the year of click bait articles and cheesy EDM news everyone loved to hate. From Art Department dissing Laidback Luke to Michelle Obama turning...
Jack Revill's love affair with decks goes back to his days kicking about Glasgow...
Around the time his mum passed away, Jack Revill met Calum Spencer on Byers Road in Glasgow. “Are they real vinyl records?” he asked in...
Audiophiles unite
Despacio is the new project from DFA and LCD head honcho James Murphy, with more than a little help from his DJing buddies the Dewaele...
Berlin maverick on his DJ Mag covermount
DJ Mag linked up with the elusive music maker to find out how he works, what he thinks of the Top 100, and whether there'll be a follow-up to Berlin Calling...
Features
In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...
Features
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
Features
Chicago-born, New York-based footwork artist DJ Manny channels the hyper-personal, R&B-influenced sound of his new Planet Mu album ‘Signals In My Head’ in his masterful...
Features
With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music